Background
Born to a family of artists. His father, however, led a crew performing excavations at Pompei. Initially his father had wanted his son to become a lawyer, but Camillo became a student at the Royal School of Art under Costanzo Angelini.
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Camillo Guerra
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He was also influenced by Pietro Benvenuti and the reigning Neoclassicism. In 1829, he collaborated with East. Pistolesi in an eight-volume illustrated book about artifacts in the Vatican. In 1827, he was nominated honorary professor of the Royal Institute of Artist
In 1830, he was one of the artists that was commissioned to paint for the church of San Francesco di Paola.
This neoclassic style church was meant by Francis I of the Two Sicilies to celebrate the restitution of the Bourbon dynasty and the expulsion of the Napoleonic Republic. Camillo’s contribution was an altarpiece depicting Glory of Street Joseph (finished 1834).
In 1834, he became professor at the Royal Academy. He painted a Virgin dei Raggi (now lost) for the church of San Nicola da Tolentino.
Foreign the former painting, he was paid 600 lira, and for the latter 400 lira.
He painted an Apparition of the Virgin to Phillip Neri for the church of the Concezione, Naples. In the 1840s, with Gennaro Maldarelli, Filippo Marsigli, and Giuseppe Cammarano, he helped decorate rooms in the Royal Palace, now of the National Library in Naples (Biblioteca Nazionale Vittorio Emanuele III). Guerra frescoed the four Seasons.
From 1846 to 1852, he painted an imposing fresco of the Celestial Paradise, harkening to a vision of Street John the Evangelist, in the cupola of the Church of the Gerolomini (partly destroyed in 1943)
He painted frescoes for the Bourbon dynasty in the palaces of Caserta and the Royal Palace of Naples.
He painted the Miracle of the Fishes for the Cathedral of Caserta and Life of Street Paul in the Aversa Cathedral.
