Background
Denise Mina was born in Glasgow in 1966. Because of her father's job as an engineer, the family followed the north sea oil boom of the seventies around Europe, moving twenty-one times in eighteen years from Paris to the Hague, London, Scotland, and Bergen.
Education
Denise left school at sixteen and did a number of poorly paid jobs. At twenty one she passed exams, got into study Law at Glasgow University and went on to research a PhD thesis at Strathclyde University on the ascription of mental illness to female offenders.
Career
After school, Denise worked in a variety of low-skilled jobs, including as a barmaid, kitchen porter, and cook. She also worked for a time in a meat-processing factory. In her twenties, she worked in auxiliary nursing for geriatric and terminal care patient.
It was while researching a Ph.D. thesis and teaching criminology and criminal law at Strathclyde University in the 1990s, that Mina decided to write her first novel Garnethill, which was published in 1998 by Transworld. Garnethill won the Crime Writers' Association John Creasy Dagger for the best first crime novel and was the start of a trilogy completed by Exile and Resolution. Since then she has published twelve novels. Mina's novel, The Field of Blood, was filmed by the BBC for broadcast in 2011, and The Dead Hour was filmed and broadcast in 2013.
In 2006 she wrote her first play, Ida Tamson, an adaptation of a short story which was serialized in the Evening Times over five nights. The play was part of the A Play, a Pie and a Pint series, starred Elaine C. Smith.
Described as an author of Tartan Noir, Mina has also dabbled in comic book writing, having written 13 issues of Hellblazer, the John Constantine series for Vertigo. She has also written a one-off graphic novel about spree killing and property prices called A Sickness in the Family.
Denise presents TV and radio programmes as well as regularly appears in the media and has made a film about her own family. She regularly appears at literary festivals in the United Kingdom and abroad, leads masterclasses on writing and was a judge for the Bailey’s Prize for Women’s Fiction 2014.