Background
Donald Burrows was born on December 28, 1945, in London, United Kingdom.
Walton Hall, Kents Hill, Milton Keynes MK7 6AA, United Kingdom
Donald became a part-time postgraduate student at the Open University in 1977, completing his Doctor of Philosophy on the subject of Handel and the English Chapel Royal in the Reigns of Queen Anne and King George I in 1981.
Trinity Ln, Cambridge CB2 1TJ, United Kingdom
Donald studied History and Music at Trinity Hall Cambridge, where he got a Bachelor of Arts in 1968, Postgraduate Certificate in Education in 1969, and a Master of Arts in 1971.
Walton Hall, Kents Hill, Milton Keynes MK7 6AA, United Kingdom
Donald became a part-time postgraduate student at the Open University in 1977, completing his Doctor of Philosophy on the subject of Handel and the English Chapel Royal in the Reigns of Queen Anne and King George I in 1981.
(Handel's English church music spans the complete period o...)
Handel's English church music spans the complete period of his active career in London: his first anthem and the Utrecht Te Deum were composed soon after his arrival in London, and his last works nearly 40 years later. The repertory, which includes the Coronation Anthem Zadok the Priest, forms one of the most impressive and engaging areas of Baroque church music. Most of it was stimulated by Handel's creative contact with the English Chapel Royal, a group of professional singers in a different tradition from the opera stars with whom he worked in the theatre.
https://www.amazon.com/English-Studies-British-Burrows-2005-06-02/dp/B01FKU6J90/ref=sr_1_10?dchild=1&keywords=Donald+Burrows&qid=1603376524&rnid=2941120011&s=books&sr=1-10
1984
(This new guide to Handel's most celebrated work traces th...)
This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships, and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favorite works of the concert hall.
https://www.amazon.com/Handel-Messiah-Cambridge-Music-Handbooks-ebook/dp/B01MUHXTPS/ref=sr_1_2?dchild=1&keywords=Donald+Burrows&qid=1603376524&rnid=2941120011&s=books&sr=1-2
1991
(Handel is recognized as one of the principal creative fig...)
Handel is recognized as one of the principal creative figures in Baroque music. In this Companion acknowledged experts on Handel make their expertise accessible to the interested general reader and music lover. All the genres in which Handel composed are considered including oratorio, chamber cantata, opera, and church music, as well as works for the keyboard and orchestra. The wide-ranging essays cover topics from Handel's composing methods to his treatment of the Italian language and matters of performance practice.
https://www.amazon.com/Companion-Handel-Cambridge-Companions-Music/dp/0521456134/ref=sr_1_3?dchild=1&keywords=Donald+Burrows&qid=1603376524&rnid=2941120011&s=books&sr=1-3
1997
("Ariodante" was the first work which Handel composed for ...)
"Ariodante" was the first work which Handel composed for the Theatre Royal in Covent Garden after his contract with the King's Theatre, Haymarket ran out in mid-1734. "Ariodante" stands out amongst Handel's opera works by means of its combination of excellent and challenging music coupled with a first-class plot. There is probably no other Handel opera that contains such a wealth of striking and catchy arias as are found in the first act of "Ariodante" alone. The three wide-ranging arias composed for the castrato Carestini are amongst the greatest bravura pieces. The plot is based on an episode in Ariosto's epic "Orlando furioso" (1516). The central event of the drama, the trick with which Duke Polinesso convinces his commander Ariodante that Ginevra is unfaithful, was also used by Shakespeare in "Much Ado About Nothing."
https://www.amazon.com/Ariodante/dp/B000WDW2YW/ref=sr_1_4?dchild=1&keywords=Donald+Burrows&qid=1603376524&rnid=2941120011&s=books&sr=1-4
2007
(Handel is one of the most remarkable figures in the histo...)
Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the area that subsequently became famous as 'Handel's Largo.' His life and career were as remarkable as his music. Born in Germany to a family that reputedly tried to discourage his initial interest in music, he broke away to seek his fortune in Italian opera and proceeded to gain first-hand experience of the latest Italian styles in Rome, Florence, Venice, and Naples.
https://www.amazon.com/Handel-Master-Musicians-Donald-Burrows/dp/0199737363/ref=sr_1_1?dchild=1&keywords=Donald+Burrows&qid=1603376524&rnid=2941120011&s=books&sr=1-1
2012
composer conductor educator musician
Donald Burrows was born on December 28, 1945, in London, United Kingdom.
Donald studied History and Music at Trinity Hall Cambridge, where he got a Bachelor of Arts in 1968, Postgraduate Certificate in Education in 1969, and a Master of Arts in 1971. He became a part-time postgraduate student at the Open University in 1977, completing his Doctor of Philosophy on the subject of Handel and the English Chapel Royal in the Reigns of Queen Anne and King George I in 1981, the first Doctor of Philosophy degree to be awarded in the University's Music Department.
Following the completion of his undergraduate studies at Trinity Hall, Cambridge, Donald Burrows worked as a provincial musician in Oxfordshire, teaching music, performing, and conducting.
While in Oxfordshire he conducted a substantial repertory of choral and orchestral music with the Abingdon and District Musical Society and the Wantage Choral Society, including a performance of Berlioz's Grande Messe des Morts in Dorchester Abbey. With the Oxford Holiday Orchestra, his performances included Elgar's Symphonies 1 and 2. He conducted his first complete performance of Handel's Messiah in 1971, marking the start of specialist interest in Handel's music. In 1972-1973 he reconstructed Handel's Anthem on the Peace, for which he conducted the first modern performance in 1973, accompanied by his first substantial article, in The Musical Times for December 1973. This was followed by the first modern performances of some of Handel's Chapel Royal music in 1975, and of orchestrally-accompanied anthems by William Croft in 1979.
In 1982 he became a Lecturer in Music at the Open University, receiving a promotion to Senior Lecturer in 1989 and to Professor of Music in 1995. From 1991 to 2002 he was also Head of the Music Department.
Burrows was a founding member of the Handel Institute in 1983 and is now Chairman of the Trustees and Council. He was a member of the Advisory Board for the Maryland Handel Festival from 1988 to 2001 and was also a member of the Advisory Board for Musik in Geschichte und Gegenwart.
He has been a member of the Händel-Gesellschaft since 1987 and a Vice-President since 1999.
In 1990 he conducted Handel's oratorio Theodora at the Händel-Festspiele in Halle-an-der-Saale, the city of Handel's birth. He has given lectures and seminars about Handel's music in Britain, Ireland, Germany, France, Italy, the United States, Canada, Australia, and Japan. In 2004 he co-directed a performance/study day on Handel's church music for the London Handel Festival, conducting part of the evening concert performance.
From 1996 to 2000 he was a Board member of the Gerald Coke Handel Foundation and from 2000-2002 a member of the Advisory Committee for the Arts, Humanities and Social Sciences, The British Library.
Since June 2004 he has contributed to programs on BBC Radio3 and Radio 4 on musical topics, including English choral singing and Handel's major oratorios. In April 2009 he appeared on The One Show, interviewed by Giles Brandreth on the River Thames about Handel's 'Water Music.'
On March 20, 2005, coinciding with the publication of his book "Handel and the English Chapel Royal," he conducted a program of Handel's Music for the Chapel Royal, in his own editions, at the Episcopal Cathedral of St John, Albuquerque, New Mexico, with the Cathedral Chamber Choir and a period-instrument orchestra, the Santa Fe Pro Musica. This was part of the 2005 International Handel Festival at Albuquerque and Santa Fe, running jointly with the biennial conference of the American Handel Society.
In 2006-2007 he also conducted performances of Handel's church music for the University of Portsmouth, and for the Deal and Walmer Handelian Society.
In 2015 Donald Burrows retired from the Open University as Emeritus Professor of Music.
Burrows is at present director of the 'Handel Documents Project,' based at the Open University, to collect together documentary material from Handel's lifetime relating to the composer: publication, eventually in five volumes, is in progress from Cambridge University Press.
Burrows has published, along with the books mentioned above, a number of principal music editions of works by Handel and Elgar. These editions, like much of Burrows's work, are meant to meld historical scholarship with practical information for performing musicians.
Donald Burrows, Professor of Music at the Open University, is recognized internationally as a leading scholar on the life and music of George Frideric Handel. He is the author, co-author, or editor of seven books about the composer, and the editor of several major music editions. He also has a special interest in the music of Edward Elgar, reflected in journal articles and music editions. His work is informed by considerable practical experience as a performer, principally as a conductor and keyboard player, but also as a violinist and singer.
In the year 2000, he was awarded the Händel Preis der Stadt Halle, and in 2010 he received the award 'Best Book of the Year, Classical Music Division' from the Music Pen Club Japan for the Japanese edition of "The Cambridge Companion to Handel."
(This new guide to Handel's most celebrated work traces th...)
1991(Handel's English church music spans the complete period o...)
1984("Ariodante" was the first work which Handel composed for ...)
2007(Handel is recognized as one of the principal creative fig...)
1997(Handel is one of the most remarkable figures in the histo...)
2012Burrows's publications reflect his wish to balance (and, where possible, connect) biographical, historical, or social topics with the practical and stylistic aspects of music so that his books and articles are complemented by musical editions for modern performers.
Burrows is a member of the Royal Musical Association and Royal College of Organists.