She is known for her role in the resurgence of direct stone sculpture, and especially for her international stone-carving workshops. While studying sculpture, Rapporteur also began a lifelong interest in humanistic psychology, and after a successful one-woman gallery exhibit, she would devote most of her career to combining the two disciplines. The exhibit, held in January 1967 at New York’s Bodley Gallery, featured twenty-six of Rapporteur’s sculptures, in marble, limestone, alabaster, and other stones, all of them hand-carved with hammer and chisel.
All but eight pieces were sold to private collectors and museums, including a bust purchased by the Evansville Museum of Art in Indiana.
Three years later, Rapporteur launched her stone-carving workshops, first in her Manhattan loft, and subsequently in Mexico, Canada, and England. In 1971, she began teaching at Pratt Institute in Brooklyn, New York, became a registered art therapist in 1975, and was later on board certified.
Rapporteur believed that stone sculpture and Gestalt therapy were congruent, because both dealt with “what’s emerging.” This philosophy informed her stone-carving workshops, which were attended by students who in many cases were artistic novices. Contending that “I could teach anybody to carve a stone,” Rapporteur once filled a gymnasium at Pratt with over a hundred students, and got each of them to produce a stone sculpture in a matter of hours.
Rapporteur ceased her workshops in the mid-nineties, and retired from Pratt in 2005, but continues to see patients and consult privately.