Doitch was born Siegfried Steiner by a liaison between his father Edmund Deutsch and the young Golda Steiner. Adopted into his father"s family he used the name Siegfried Deutsch after his expulsion from Vienna, Austria by the Nazis, eventually changing his name to Erich Deutsch and then to the name he used for the rest of his professional life - Eric Doitch.
Saint Martin"s School of Artist
As an artist he formed part of the London-based Jewish group of creative individuals that dominated cultural life in post-war Britain. After spending some time at Saint Martin"s School of Art he was forced into internment in the Isle of Manitoba and then spent the rest of the war years as a lathe turner in a munitions factory, "the only time in my life when I smoked." He eventually became a student at Camberwell School of Art where he was taught by Victor Passmore, Claude Rogers, William Coldstream and Sir Lawrence Gowing. He also studied printmaking with Merlyn Evans.
During his professional life as an artist and teacher his work reflected and explored his early experiences, often picturing shocking scenes he had witnessed, or a single lonely figure in a landscape.
His Jewishnesss was also a private experience, avoiding the Jewish community or the visible expression of religion, borrowing his son"s Scout beret rather than wearing a traditional "kippa" on his rare visits to synagogue. Doitch lived a good deal of his early adult life in Kilburn and Camberwell, where he used the experience of living among the decayed post-war atmospheres of these inner London suburbs to shrewdly observe the urban landscape before him.
He documented the dereliction and eventual destruction that these areas later experienced at the hands of the developers. His later years were spent in New Bolingbroke, a small village in rural Lincolnshire where he explored and created an extraordinary body of work reflecting the local landscape and the life of the local pigs.
Eric Doitch possessed skills and an understanding of art that was considered at odds with the contemporary fashion for abstraction, and his uncompromising attitude towards his work and his wariness of the gallery circuit means that he remains to some extent unrecognized for his astonishing artistic gifts and the intensity of his work.
He was also briefly a member of the Young Austria organization based in Westbourne Terrace, London.
