Background
Fernando Amorsolo was born on May 30, 1892 in Paco, Manila, to Pedro Amorsolo and Bonifacia Cueto.
Fernando Amorsolo was born on May 30, 1892 in Paco, Manila, to Pedro Amorsolo and Bonifacia Cueto.
At 13 Fernando Amorsolo was apprenticed to the noted Philippine artist Fabian de la Rosa, his mother's first cousin. In 1909 Amorsolo enrolled at the Liceo de Manila and then attended the fine-arts school at the University of the Philippines, graduating in 1914. After working three years as a commercial artist and part-time instructor at the university, he studied at the Escuela de San Fernando in Madrid.
For seven months he sketched at the museums and on the streets of Madrid, experimenting with the use of light and color. That winter he went to New York and discovered the works of the postwar impressionists and cubists, who became the major influence on his works. On his return to Manila, he set up his own studio.
During this period, Amorsolo developed the use of light—actually, backlight—which is his greatest contribution to Philippine painting. Characteristically, an Amorsolo painting contains a glow against which the figures are outlined, and at one point of the canvas there is generally a burst of light that highlights the smallest detail.
During the 1920s and 1930s Amorsolo's output of paintings was prodigious. In 1939 his oil Afternoon Meal of the Workers won first prize at the New York World's Fair. During World War II Amorsolo continued to paint. The Philippine collector Don Alfonso Ongpin commissioned him to execute a portrait in absentia of Gen. Douglas MacArthur, which he did at great personal risk. He also painted Japanese occupation soldiers and self-portraits. His wartime paintings were exhibited at the Malacanang presidential palace in 1948. After the war Amorsolo served as director of the college of fine arts of the University of the Philippines, retiring in 1950.
Amorsolo was noted for his portraits. He made oils of all the Philippine presidents, including the revolutionary leader Gen. Emilio Aguinaldo, and other noted Philippine figures. He also painted many wartime scenes, including Bataan, Corner of Hell, and One Casualty.
He continued to paint even in his late 70s, despite arthritis in his hands. Even his late works feature the classic Amorsolo tropical sunlight. He said he hated "sad and gloomy" paintings, and he executed only one painting in which rain appears.
Fernando Amorsolo y Cueto died of heart failure at the age of 79 on April 24, 1972.
The portraitist and painter of rural land scapes, Fernando Amorsolo is best known for his craftsmanship and mastery in the use of light.
Fernando Amorsolo received numerous awards, including the 2nd Prize, Bazar Escolta tea and taki (1908), the 1st Prize, Commercial and Industrial Fair in the Manila Carnival (1922), the 1st Prize, New York's World Fair (1929), Outstanding University of the Philippines Alumnus Award (1940), Gold Medal (1959), Rizal Pro Patria Award (1961), Honorary Doctorate in the Humanities (1961), Diploma of Merit (1963), Patnubay ng Sining at Kalinangan Award (1963), Republic Cultural Heritage Award (1963), Gawad CCP para sa Sining (1972).
In 1972, Fernando Amorsolo became the first Filipino to be distinguished as the Philippine's National Artist in Painting.
(Fernando C. Amorsolo)
In 1916, Fernando Amorsolo married Salud Tolentino Jorge, with whom he had six children; after her death in 1931 he married Maria del Carmen Zaragoza, with whom he had eight more children.
Sylvia Amorsolo-Lazo is a Filipino painter and the president of the Fernando C. Amorsolo Foundation.
Pablo Cueto Amorsolo was a Filipino painter.
