Background
Hoffman was born on July 11, 1760 in Nancy, France.
(Excerpt from Fin du Procès des Deux Gendres, ou Histoire ...)
Excerpt from Fin du Procès des Deux Gendres, ou Histoire Philosophique Et Morale de l'Exhumation Et de l'Apothéose de Conaxa M. Etienne n'a pas été le dernier à publier cette découverte Il annonce dans les journaux que la' pièce exhumée se nomme Quuxu, et il ex:p le voeu qu'elle soit bientôt connue de tout: le monde, afin qu'on puisse juger de sa prétendue conformité avec la' comédie des. Deux Gendres. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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( This is a reproduction of a book published before 1923....)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Oeuvres; Oeuvres; François-Benoît Hoffman François-Benoît Hoffman Lefebvre, 1829
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Callias, Ou Nature Et Patrie: Drame Héroïque En Un Acte Et En Vers, Mêlé De Musique : Représenté, Pour La Première Fois, Sur Le Théâtre De L'Opéra-comique National, Le Deuxième Jour Complémentaire, L'an Second De La République André-Ernest-Modeste Grétry, François-Benoît Hoffman Maradan, 1794
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(Excerpt from Mes Souvenirs, ou Recueil de Poésies Fugitiv...)
Excerpt from Mes Souvenirs, ou Recueil de Poésies Fugitives de Hoffman Du nectar et de l'ambroisie J'rgnore le charme enchanteur; Mais j'ai ce qu'il faut pour la vie, Et peut-être pour le bonheur. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from uvres de F.-B. Hoffman, Vol. 5: Critique, T...)
Excerpt from uvres de F.-B. Hoffman, Vol. 5: Critique, Tome II Un homme d'esprit me disait il y a quelques jours Ptolémée passe généralement dans le monde pour être l'auteur d'un système absurde et l'on pense qu'il est inutile de lire son ouvrage puisqu'il ne contient que des erreurs. Rien n'est plus difficile à détruire qu'une injuste prévention et je n'ai pas l'espérance de faire cette révolution dans l'opinion publique; c'est donc uniquement par devoir, et par respect pour la vérité, que je présente les considérations suivantes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Hoffman was born on July 11, 1760 in Nancy, France.
Hoffman studied law at the university of Strassburg, but a slight hesitation in his speech precluded success at the bar, and he entered a regiment on service in Corsica.
Hoffman served in Corsica for only a very short time, and, returning to Nancy, wrote some poems which brought him into notice at the little court of Lunéville over which the Marquise de Boufflers then presided. In 1784 he went to Paris where he wrote his first opera libretto, Phèdre, for the composer Jean-Baptiste Lemoyne. It was performed at Fontainebleau in October 1786. After quarrelling with Lemoyne, Hoffman offered his libretto Adrien, empereur de Rome to Cherubini, who turned it down in favour of another Hoffman drama, Médée. Adrien was accepted instead by Méhul, with whom Hoffman collaborated on several operas, including Euphrosine (1790), Stratonice (1792) and Ariodant (1799). A quarrel with the management of the Paris Opéra over Nephté led to them rejecting Médée in 1790. In 1792, the French Revolutionary government objected to Adrien on political grounds, and Hoffman ran considerable risk by refusing to make the changes proposed to him. It was seven years before Adrien finally received its premiere at the Opéra. Hoffman's later operas were in a lighter style than his works of the 1790s. A notable example is Les rendez-vous bourgeois, with music by Isouard. In 1807 he was invited by Charles Guillaume Étienne to contribute to the Journal de l'Empire (afterwards the Journal des Débats). Hoffman's wide reading qualified him to write on all sorts of subjects, and he turned, apparently with no difficulty, from reviewing books on medicine to violent attacks on the Jesuits. His severe criticism of Chateaubriand's Les Martyrs led the author to make some changes in a later edition. He had the reputation of being an absolutely conscientious and incorruptible critic and thus exercised wide influence.
(Excerpt from Mes Souvenirs, ou Recueil de Poésies Fugitiv...)
(Excerpt from Fin du Procès des Deux Gendres, ou Histoire ...)
( This is a reproduction of a book published before 1923....)
(This is a reproduction of a book published before 1923. T...)
(Excerpt from uvres de F.-B. Hoffman, Vol. 5: Critique, T...)
Hoffman was a strong advocate of authors' rights regarding artistic control, copyright and freedom of speech. This stance often brought him into conflict with the authorities.