Career
His scenes of horse-and-buggy days in small towns of the Victorian era included situations taken from memories of his childhood in his hometown of Richmond, Indiana. Labeled the Hoosier Cartoonist or the James Whitcomb Riley of the Pencil, his cartoon panels captured the flavor of a bygone era to the degree they were deemed worthy of reprinting in the mid-20th century years after his death. He drew his first cartoons for publication while he was the staff artist for the Richmond High School magazine, Argus.
After studies at Cincinnati Art Academy and the Chicago Art Institute, Williams began cartooning in 1904 for the Chicago Daily News, where he stayed for three years.
He joined the Indianapolis News in 1909. His well-known drawings include The End of a Perfect Day, depicting the American doughboy returning from World War I, and Long Boy, published on the William Herschell song sheet.
After illustrating Keeping Up with William (Bobbs-Merrill, 1918) by Irving Bacheller, he illustrated Ring Lardner"s The Young Immigrants (Bobbs-Merrill, 1920). In 1921, Williams moved to the Chicago Tribune, where he stayed for the next 14 years.
The Tribune reprinted his work in at least a dozen portfolios: Zipper (1935) reprinted 25 of his 1932-1934 cartoons about the dog Zipper.
Hunting and Fishing (1935) reprinted 30 of his cartoons from 1927-1934. Wotta Life! By the time of his death in 1935, his cartoons were being published in 39 newspapers. He was buried at Earlham Cemetery in Richmond, Indiana.
