Background
George Payne Rainsford James was born on August, 9 1799 in George Street, Hanover Square, London, England. He was the son of Pinkstan James, physician.
(Excerpt from A History of the Life of Richard Cur-De-Lio...)
Excerpt from A History of the Life of Richard Cur-De-Lion, King of England, Vol. 1 Wnonvnn has given the slightest attention to the history of the human mind, must have remarked, that at certain points it changes the path which it has previously been pursuing, assumes a new course suited to the circumstances that for the time sur round it, labours therein until operating upon every thing within its sphere it has produced a complete alteration in all around it; and then again takes another direction, in which it once more proceeds till in that also it has effected certain results: all its operations tending to one great end; the enlarge ment of its own powers and s00pe of action, though often impeded by physical obstacles, often thrown back by great moral convulsions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Jacquerie, Vol. 1 of 2: A Novel Though no one saw his features, it may be necessary that the reader should see them with the eye of imagina tion, and also requisite that he should mark the peculiar expression which those features were. The lines were all good, except perba about the mouth, where a cer tain heavy fulness of t e li 8 took away all beauty from that part of the face.. T e forehead was broad and capacious, though not remarkably high; the brow strong. Ly marked, but finely shaped; the eyes large, sparkling, and full of thoughtful meanin the nose small, but beautifully cut; and the chin per aps a little more promi nent than is exactly symmetrical, but still rounded into that form which the Grecian chisel was delighted to dis play. The hair and beard, which were all short, were of a rich brown colour, and curled about the face in many a graceful sweep; but the form of the head was in itself remarkable, being nearly spherical, though there certainly did appear a degree of fulness behind the ears and at the back of the scull which diminished the beauty of the whole. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Huguenot, Vol. 3 of 3: A Tale of the French Protestants I mean, Sir, said the King, plainly, Do you believe that there exists a likelihood of your becoming converted to the Catholic faith? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Old Oak Chest, Vol. 2 of 3: A Tale of Domestic Life After he had been thus employed for about three quarters of an hour, the landlord himself entered the room, and stood at the end of the table as if he wanted to say something. The fit had not entirely left him, however; and Mr. Green shield thought that a little assistance might be serviceable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from Lord Montagu's Page: An Historical Romance o...)
Excerpt from Lord Montagu's Page: An Historical Romance of the Seventeenth Century The Edinburgh Review concludes some comments upon our author with the remark, Our readers will perceive from these general observations that we estimate Mr. James's abilities, as a romance-writer, highly: his works are lively and interesting, and animated by a spirit of sound and healthy morality in feeling, and of natural delineation in character, which, we think, will secure for them a calm popularity which will last beyond the present day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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George Payne Rainsford James was born on August, 9 1799 in George Street, Hanover Square, London, England. He was the son of Pinkstan James, physician.
He was educated at a private school of the Reverend William Carmalt at Putney, afterwards in France. He developed a love of languages, including Greek, Latin, Persian and Arabic. He also studied medicine as a young man, but his inclinations led him in a different direction. He wanted to go into the navy, but his father was against it, due to his own naval experiences, finally allowing him to join the army.
George served for a short time in the army as a lieutenant during the Hundred Days, and was wounded in a small action following The Battle of Waterloo. He travelled extensively, visiting France and Spain soon after the abdication of Napoleon. These early travels gave him the idea for his novel Morley Ernstein.
He began to write early, and had, according to his own account, composed the stories afterwards published as A String of Pearls before he was seventeen. As a contributor to newspapers and magazines, he came under the notice of Washington Irving, who encouraged him to produce his Life of Edward the Black Prince (1822). In 1825 he wrote his novel Richelieu: A Tale of France, which wasn't published until 1829. After reading Richelieu, which had been given to him by a friend, and after receiving a letter from James, Walter Scott advised him to take up literature as a profession. He was also given encouragement by Washington Irving. Perhaps Irving and Scott, from their natural amiability, were rather dangerous advisers for a writer so inclined by nature to abundant production as James. But he took up historical romance writing at a lucky moment. Scott had firmly established the popularity of the style, and James in England, like Dumas in France, reaped the reward of their master's labours as well as of their own. For thirty years the author of Richelieu continued to pour out novels of the same kind though of varying merit. His works in prose fiction, verse narrative, and history of an easy kind are said to number over a hundred, most of them being three-volume novels of the usual length. Sixty-seven are catalogued in the British Museum. The best examples of his style are perhaps Richelieu (1829); Philip Augustus (1831); Henry Masterton, probably the best of all (1832); Mary of Burgundy (1833); Darnley (1839); Corse de Leon (1841); The Smuggler (1845). His poetry does not require special mention, nor does his history, though for a short time during the reign of William IV he held the office of historiographer royal. After writing copiously for about twenty years, James in 1850 went to America as British Consul for Massachusetts. He was consul at Richmond, Virginia, from 1852 to 1856, when he was appointed to a similar post at Venice.
(Excerpt from Lord Montagu's Page: An Historical Romance o...)
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(This is a reproduction of a book published before 1923. T...)
(Excerpt from The Old Oak Chest, Vol. 2 of 3: A Tale of Do...)
(Excerpt from The Jacquerie, Vol. 1 of 2: A Novel Though ...)
(Excerpt from The Huguenot, Vol. 3 of 3: A Tale of the Fre...)
In 1828 he married the daughter of Honoratus Leigh Thomas, an important physician. After their marriage they lived in France, Italy, and Scotland. His wife survived him by 31 years.