Background
Monteiro was born on May 23, 1932 in Cumberland, Rhode Island, United States; the son of Francisco Jose and Augusta (Temudo) Monteiro.
("A poem is best read in the light of all the other poems ...)
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes―out of Frost's own words and phrases―the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.
http://www.amazon.com/gp/product/081311649X/?tag=2022091-20
1988
(Of the great epic poets in the Western tradition, Luis Va...)
Of the great epic poets in the Western tradition, Luis Vaz de Camões (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Camões. Introduced to English readers in 1655, Camões's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Camões. Herman Melville's reading of Camões bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Camões. And Camões as epicist and love poet is an éminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camões's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Recognizing the presence of Camões leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel.
https://www.amazon.com/gp/product/0813119529/?tag=2022091-20
1996
(Both in his own poetry and the poetry he attributed to hi...)
Both in his own poetry and the poetry he attributed to his other identities, the modernist poet Fernando Pessoa (1888-1935) was strongly influenced by British and American 19th-century writers. This work analyzes Pessoa's intertextual links to his English-language predecessors.
http://www.amazon.com/gp/product/0813121825/?tag=2022091-20
2000
(The life and career of American poet and writer Elizabeth...)
The life and career of American poet and writer Elizabeth Bishop falls into two distinct segments: the pre–Brazil years and the Brazil years and beyond. A creature of displacement from childhood, Bishop traveled to Brazil at the age of 40 for a two–week trip and unexpectedly stayed for most of the next two decades, a sojourn that marked her work indelibly. This study explores how Bishop’s personal and literary experience in Brazil influenced her work culturally, historically, and linguistically, while she was in Brazil and following her return to the United States. Focusing on the “Brazilian” characteristics of Bishop’s work as well as some of the major poems she composed before settling in Brazil, this volume offers fresh perspective on one of the 20th century’s most celebrated writers.
https://www.amazon.com/gp/product/B00AQDHNFG/?tag=2022091-20
2012
(George Monteiro never intended to write a memoir. But as ...)
George Monteiro never intended to write a memoir. But as the stories, poems, and sketches about his childhood in a Depression-Era New England mill town began to pile up, he found that he was writing a composite memoir of Valley Falls, Rhode Island and its Portuguese American community. Like his parents, many of these people had emigrated from rural Portugal to find work in the textile mills and build a life more hopeful and prosperous than the one they had left behind. Through its various forms of expression, this memoir seeks to understand Francisco and Augusta Monteiro, who found a life that was more difficult than they had expected. But it also paints a vivid picture of the colorful characters whose varied adaptations to American life made the Portuguese community of Valley Falls both a unique environment in which to grow and one that is familiar to everyone in this nation of immigrants.
https://www.amazon.com/gp/product/B01GBRWFYO/?tag=2022091-20
2016
Monteiro was born on May 23, 1932 in Cumberland, Rhode Island, United States; the son of Francisco Jose and Augusta (Temudo) Monteiro.
Monteiro received a Bachelor of Arts degree in 1954 and a Doctor of Philosophy degree from Brown University in 1964. In 1956, he earned his Master of Arts from Columbia University. Also George was given an honorary degree of Doctor of Humane Letters from the University of Massachusetts in 1993.
Monteiro began his career as an instructor and associate professor at Brown University in 1961. Eleven years years later he took a position of a professor of English at the same university and held it until 1999. He worked as a professor of Portuguese at Brown University from 1984 to 1999. Since 1999 he was an adjunct professor at that university. Nowadays Monteiro is a professor emeritus of English and of Portuguese and Brazilian Studies at Brown University
Also in 2006 George was a professor at the University of Massachusetts. He held the position of a visiting professor at Providence College in 1967-1968.
(Both in his own poetry and the poetry he attributed to hi...)
2000(The life and career of American poet and writer Elizabeth...)
2012(Of the great epic poets in the Western tradition, Luis Va...)
1996("A poem is best read in the light of all the other poems ...)
1988(George Monteiro never intended to write a memoir. But as ...)
2016On August 14, 1958 George Monteiro married Lois Ann Hodgins, whom he divorced in 1992. They have 3 children. On March 25, 1995 he married Brenda Murphy.