Background
French was born 18 April 1804 in Edinburgh, where his father is said to have been a "manufacturer".
(Excerpt from An Attempt to Explain the Origin and Meaning...)
Excerpt from An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation: Found on the Ancient Sculptured Stones of Scotland, Ireland, and the Isle of Man Any reasonable and honest attempt to explain the origin of the singularly elegant interlaced ornamentation, familiar to archælogists as the very earliest style of artistic decoration known in the British islands, must be entitled to, and I feel assured will receive, favourable consideration. Even should the attempted explanation fail to obtain entire sanction, it will at least lead to attentive and accurate observations upon an interesting subject, which may at some future time refute or establish the theory which I venture to propound. The style of interlaced ornament to which I refer is found in an infinite variety of devices on the earliest sculpture, whether of stone or metal, and in the oldest manuscripts and illuminations of Britain and Ireland. It retained its peculiar distinctive character throughout the Roman occupation of Britain, slightly modified by, and often mixed with, classical ornaments. These, however, in a great measure disappeared during the Saxon period, a circumstance which induces the belief that, whatever its origin and purpose, interlaced ornamentation was equally familiar to the Saxon invaders and to the British aborigines. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
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(Eontenti8 Introduction 9T he Communion Table or Altar :it...)
Eontenti8 Introduction 9T he Communion Table or Altar :its Material, Form, and Situation 16 I.H.S 27 The Cross 41 The Gloria 47 The Altar Cloth 57 Church Linen 70 The Floor op the Chancel and its Carpets 90 The Chancel 106 The Pulpit ,127 The Surplice 133 The Scarf (or Stole) 146 The Cassock 152 The Hood 157 The Gown 164 The Bands 169 The Vestment or Chasuble and the Cope (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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French was born 18 April 1804 in Edinburgh, where his father is said to have been a "manufacturer".
He received a fair education and was apprenticed to a draper.
He moved from Edinburgh to Sheffield, and from there to Bolton, where he developed a considerable trade in the textile fabrics of all kinds worn by clergymen and otherwise used in the services of the church. He cultivated a taste for archaeology, especially for ecclesiology, and formed an extensive library. In July 1840 a communication signed with his initials appeared in the Gentleman"s Magazine which contained a sketch of the story of James Annesley, with indications of its resemblance to that of Henry Bertram in Guy Mannering.
The sketch was reproduced in Chambers"s Edinburgh Journal for 7 March 1841.
French expanded this communication in a pamphlet "printed for presentation" in 1855 and entitled Parallel Passages from Two Tales, elucidating the Origin of the Plot of "Guy Mannering". Beginning on 26 April 1856, he contributed a series of letters to consecutive numbers of the Bolton Chronicle, which he collected and again "printed for presentation" in the same year as An Enquiry into the Origin and Authorship of some of the Waverley Novels.
In 1852 French promoted the establishment of the Bolton Free Library, and as president of the Bolton Mechanics" Institute from 1857-1858 he delivered to its members several lectures. Two of these, on The Life and Times of Samuel Crompton, were expanded into the biography published in 1859.
He contributed generously to the support of Crompton"s surviving son when old and poor, and he raised a subscription of £200 with which a monument was erected over Crompton"s grave in the Bolton parish churchyard.
French died at Bolton 4 May 1866.
(Excerpt from An Attempt to Explain the Origin and Meaning...)
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(Eontenti8 Introduction 9T he Communion Table or Altar :it...)
(This is a pre-1923 historical reproduction that was curat...)
He was a member of the London Society of Antiquaries and a corresponding member of the Society of Antiquaries of Scotland, and read several papers before the Archaeological Association of Great Britain and Ireland (now called the Royal Archaeological Institute), which appeared in their Transactions.