(Gish Jen reinvents the American immigrant story through t...)
Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. When the Communists assume control of China in 1949, though, Ralph Chang, his sister Theresa, and his wife Helen find themselves in a crisis. At first, they cling to their old-world ideas of themselves. But as they begin to dream the American dream of self-invention, they move poignantly and ironically from people who disparage all that is "typical American" to people who might be seen as typically American themselves. With droll humor and deep empathy for her characters, Gish Jen creates here a superbly engrossing story that resonates with wit and wisdom even as it challenges the reader to reconsider what a typical American might be today.
(In these pages, Gish Jen portrays the day-to-day of Ameri...)
In these pages, Gish Jen portrays the day-to-day of American multiculturalism with poignancy and wit, introducing us to teenaged Mona Chang, who in 1968 moves with her newly prosperous family to Scarshill, New York. Here, the Chinese are seen as "the new Jews." What could be more natural than for Mona to take this literally - even to the point of converting? As Mona attends temple "rap" sessions and falls in love (with a nice Jewish boy who lives in a tepee), Jen introduces us to one of the most charming and sweet-spirited heroines in recent fiction, a girl who can wisecrack with perfect aplomb even when she's organizing the help in her father's pancake house. On every page, Gish Jen sets our received notions spinning with a wit as dry as a latter-day Jane Austen's.
(The stories in Who's Irish? show us the children of immig...)
The stories in Who's Irish? show us the children of immigrants looking wonderingly at their parents' efforts to assimilate, while the older generation asks how so much selfless hard work on their part can have yielded them offspring who'd sooner drop out of life than succeed at it. With dazzling wit and compassion, Gish Jen looks at ambition and compromise at century's end and finds that much of the action is as familiar - and as strange - as the things we know to be most deeply true about ourselves.
(The Love Wife is barbed, moving, and a stylistically dazz...)
The Love Wife is barbed, moving, and a stylistically dazzling new novel about the elusive nature of kinship. The Wongs describe themselves as a "half-half" family, but the actual fractions are more complicated, given Carnegie’s Chinese heritage, his wife Blondie’s WASP background, and the various ethnic permutations of their adopted and biological children. Into this new American family comes a volatile new member. Her name is Lanlan. She is Carnegie’s Mainland Chinese relative, a tough, surprisingly lovely survivor of the Cultural Revolution, who comes courtesy of Carnegie’s mother’s will. Is Lanlan a very good nanny, a heartless climber, or a posthumous gift from a formidable mother who never stopped wanting her son to marry a nice Chinese girl?
Tiger Writing: Art, Culture, and the Interdependent Self
(For author Gish Jen, the daughter of Chinese immigrant pa...)
For author Gish Jen, the daughter of Chinese immigrant parents, books were once an Outsiders’ Guide to the Universe. But they were something more, too. Through her eclectic childhood reading, Jen stumbled onto a cultural phenomenon that would fuel her writing for decades to come: the profound difference in self-narration that underlies the gap often perceived between East and West. Drawing on a rich array of sources, from paintings to behavioral studies to her father’s striking account of his childhood in China, this accessible book not only illuminates Jen’s own development and celebrated work but also explores the aesthetic and psychic roots of the independent and interdependent self - each mode of selfhood yielding a distinct way of observing, remembering, and narrating the world.
(Hattie Kong - the spirited offspring of a descendant of C...)
Hattie Kong - the spirited offspring of a descendant of Confucius and an American missionary to China - has, in her fiftieth year of living in the United States, lost both her husband and her best friend to cancer. It is an utterly devastating loss, of course, and also heartbreakingly absurd: a little, she thinks, like having twins. She got to book the same church with the same pianist for both funerals and did think she should have gotten some sort of twofer from the crematorium. But now, two years later, it is time for Hattie to start over.
The Girl at the Baggage Claim: Explaining the East-West Culture Gap
(Never have East and West come as close as they are today,...)
Never have East and West come as close as they are today, yet we are still baffled by one another. Is our mantra "To thine own self be true"? Or do we believe we belong to something larger than ourselves - a family, a religion, a troop - that claims our first allegiance? Gish Jen - drawing on a treasure trove of stories and personal anecdotes, as well as cutting-edge research in cultural psychology - reveals how this difference shapes what we perceive and remember, what we say and do and make - how it shapes everything from our ideas about copying and talking in class to the difference between Apple and Alibaba. As engaging as it is illuminating, this is a book that stands to profoundly enrich our understanding of ourselves and of our world.
(The time: not so long from now. The place: AutoAmerica. T...)
The time: not so long from now. The place: AutoAmerica. The land: half underwater. The Internet: one part artificial intelligence, one part surveillance technology, and oddly human - even funny. The people: Divided. The angel-fair "Netted" have jobs, and literally occupy the high ground. The "Surplus" live on swampland if they're lucky, on water if they're not. The story: To a Surplus couple - he once a professor, she still a lawyer - is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by ten, she can hit whatever target she likes. Her teens find her happily playing in an underground baseball league. When AutoAmerica rejoins the Olympics, though - with a special eye on beating ChinRussia - Gwen attracts interest. Soon she finds herself playing ball with the Netted even as her mother challenges the very foundations of this divided society.
Gish Jen is an American author who writes novels, short stories, and non-fiction about identity, culture, and the American experience. She is particularly known for her novels Typical American, Mona in the Promised Land, and a collection of short fiction, Who's Irish?.
Background
Gish Jen was born as Lillian Jen on August 12, 1955, in Long Island, New York, United States. She is the daughter of Chinese immigrants, who came to the United States in the 1940s. She was the second of five children. She grew up in Queens, Yonkers, and Scarsdale. As a kid, she was withdrawn and shy.
Education
At school, Gish Jen was constantly kicked out of class for talking. In junior high school, she wrote poetry. While studying in high school, she changed her name on Gish after an actress Lillian Gish and was the literary editor for the school magazine. After high school, she studied at Harvard University where she received a Bachelor of Arts degree in English in 1977. In 1979-1980 she attended Stanford Business School but dropped out in favor of the University of Iowa Writers' Workshop where she obtained a Master of Fine Arts degree in fiction in 1983.
Gish Jen is the author whose work explores not only themes of alienation and identity, but also artistic expression and the self, as she challenges us to ask how the cultures we are steeped in influence the stories we tell. She published short work in the New Yorker, the Atlantic Monthly, and dozens of other periodicals, anthologies, and textbooks. Her work has appeared in The Best American Short Stories four times, including The Best American Short Stories of the Century, edited by John Updike. Her first novel, Typical American, was published in 1991. The book launched Jen into the literary limelight. The novel follows three Chinese immigrants, Ralph Chang, his wife, Helen, and his sister, Theresa, as they pursue the American Dream and struggle against the pressures of assimilation, greed, and self-interest. Both a comedy and a tragedy, the novel brilliantly turns the notion of what it means to be a typical American on its head.
In the ebullient and inventive novel, Mona in the Promised Land (1996), Gish Jen restores multiculturalism from high concept to a fact of life. Mona in the Promised Land grew out of a short story, "What Means Switch?," that Jen wrote while trying to finish Typical American. The next book was Who's Irish?, a collection of stories published in 1999, confirmed her mastery of the short form as well. The book continues Jen's experimentation with tense, with some stories told in the first person - including the voice of a young, presumably white, boy - and one even told partially in the second person. In Tiger Writing: Art, Culture and the Interdependent Self (2010), she draws on a wealth of personal and familial experiences to expose and explain cultural differences in the narrative.
In her nonfiction book The Girl at the Baggage Claim (2017), Jen offers a provocative and essential look at the different ideas Eastern and Western cultures have about self and society. Jen’s recent novel, The Resisters, out in February 2020, invites the reader into a not-so-distant dystopian future.
Gish Jen is also known as a speaker. In her talks, she explores the themes that animate her work: cultural difference, artistic expression, dystopia, writing, the American Dream, and feminism. She lectured fiction writing at Tufts University, was a visiting writer at the University of Massachusetts and delivered the William E. Massey, Sr. Lectures in the History of American Civilization at Harvard University as well.
Gish Jen is a highly-acclaimed award-winning author. Her honors include 1999 Lannan Literary Award for Fiction, 2003 Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters, 2010 Massachusetts Book Prize, and 2017 MOCA Legacy Award from the Museum of Chinese in America. She was awarded Radcliffe College Bunting Institute Fellowship, Guggenheim Fellowship, Radcliffe Institute for Advanced Study fellowship, Fulbright Fellowship to the People's Republic of China, and National Endowment for the Arts fellowship.
Jen's first novel, Typical American, was a finalist for the National Book Critics' Circle Award. Her second novel, Mona in the Promised Land, was listed as one of the ten best books of the year by the Los Angeles Times. In addition, both novels made the New York Times "Notable Books of the Year" list. Her work, a collection of short stories entitled Who's Irish, was also largely acclaimed putting Jen's name once again on the New York Times "Notable Books of the Year" list while one of the short stories in the collection, Birthmates, was chosen for inclusion in The Best American Short Stories of the Century.
(The time: not so long from now. The place: AutoAmerica. T...)
2020
Membership
Jen is a member of the American Academy of Arts and Sciences.
Personality
Gish Jen is known for her humor and brimming intelligence, her ready opinions, easy laugh, her charm, and, not least of all, her volubility. Her speech is rapid-fire.
Quotes from others about the person
"Gish Jen is the Great American Novelist we’re always hearing about." - Junot Diaz
"We might want to run Gish Jen for president." - Jayne Anne Phillips
"Funny, surprising, and observant, Gish Jen is a brilliant chronicler."
Connections
Gish Jen is married to David C. O'Connor. The marriage produced two children, a son and a daughter.