Heinrich Heine was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose is distinguished by its satirical wit and irony.
Background
Heine was born in Düsseldorf, Rhineland, into a Jewish family. He was called "Harry" as a child, but became "Heinrich" after his conversion to Christianity in 1825. Heine's father, Samson Heine (1764–1828), was a textile merchant. His mother Peira (known as "Betty"), née van Geldern (1771–1859), was the daughter of a physician.
Education
Heine's parents were not particularly devout. As a young child they were sent to the Jewish school where he learned a smattering of Hebrew, but thereafter he attended Catholic schools. Here he learned French, which would be his second language - although he always spoke it with a German accent.
In 1814 Heine went to a business school in Düsseldorf where he learned to read English, the commercial language of the time.
With the financial support of his uncle, Heine entered the University of Bonn in 1819, planning to study law. Here A. W. von Schlegel, professor of literature and a cofounder of German romanticism, encouraged his literary bent. Heine was delighted by such attention but was alienated by the political conservatism of the university administration and by the anti-Semitism he encountered. In 1820 he removed to the University of Göttingen. Conditions there were even less appealing, his inevitable opposition to them soon led to his suspension, and he moved on to the University of Berlin. He attended the lectures of G. W. F. Hegel, and literary sponsors helped him to publish Gedichte (Poems) in 1822. These poems followed romantic conventions but were also marked by a novel use of language and imagery. Lyrisches Intermezzo (1823) and the lyric cycle Heimkehr (1826; Homecoming) show improved command of lyric form and frequently project the simplicity and directness of the folk song and the folk ballad.
After an interlude at home, Heine, at the insistence of his uncle, returned to Göttingen. Upon Christian baptism he took the name Heinrich and received his law degree in July 1825.
Career
Heine was only really suited to writing but it was extremely difficult to be a professional writer in Germany. The market for literary works was small and it was only possible to make a living by writing virtually non-stop. Heine was incapable of doing this so he never had enough money to cover his expenses. Before finding work, Heine visited the North Sea resort of Norderney which inspired the free verse poems of his cycle Die Nordsee.
In Hamburg one evening in January 1826 Heine met Julius Campe, who would be his chief publisher for the rest of his life. Their stormy relationship has been compared to a marriage. Campe was a liberal who published as many dissident authors as he could. He had developed various techniques for evading the authorities. The laws of the time stated that any book under 320 pages had to be submitted to censorship (the authorities thought long books would cause little trouble as they were unpopular). One way round censorship was to publish dissident works in large print to increase the number of pages beyond 320. Heine resisted all censorship. So this issue became a bone of contention between the two.But the relationship between author and publisher started well: Campe published the first volume of Reisebilder ("Travel Pictures") in May 1826. This volume included Die Harzreise, which marked a new style of German travel-writing, mixing Romantic descriptions of Nature with satire. Heine's Buch der Lieder followed in 1827. This was a collection of already published poems. No one expected it would be one of the most popular books of German verse ever published and sales were slow to start with, picking up when composers began setting Heine's poems as Lieder.
Starting from the mid-1820s Heine distanced himself from Romanticism by adding irony, sarcasm and satire into his poetry and making fun of the sentimental-romantic awe of nature and of figures of speech in contemporary poetry and literature.
In 1831 Heine left Germany for France, settling in Paris for his remaining 25 years of life. His move was prompted by the July Revolution of 1830 which had made Louis-Philippe the "Citizen King" of the French. Heine shared liberal enthusiasm for the revolution, which he felt had the potential to overturn the conservative political order in Europe. Heine was also attracted by the prospect of freedom from German censorship and was interested in the new French utopian political doctrine of Saint-Simonianism. Saint-Simonianism preached a new social order in which meritocracy would replace hereditary distinctions in rank and wealth. There would also be female emancipation and an important role for artists and scientists. Heine frequented some Saint-Simonian meetings after his arrival in Paris but within a few years his enthusiasm for the ideology - and other forms of utopianism- had waned.
Heine soon became a celebrity in France. Paris offered him a cultural richness unavailable in the smaller cities of Germany. He made many famous acquaintances (the closest were Gérard de Nerval and Hector Berlioz) but he always remained something of an outsider. He had little interest in French literature and wrote everything in German, subsequently translating it into French with the help of a collaborator.
In Paris, Heine earned money working as the French correspondent for one of Cotta's newspapers, the Allgemeine Zeitung. The first event he covered was the Salon of 1831. His articles were eventually collected in a volume entitled Französische Zustände ("Conditions in France"). Heine saw himself as a mediator between Germany and France. If the two countries understood one another there would be progress. To further this aim he published De l'Allemagne ("On Germany") in French (begun 1833). In its later German version, the book is divided into two: Zur Geschichte der Religion und Philosophie in Deutschland ("On the History of Religion and Philosophy in Germany") and Die romantische Schule ("The Romantic School"). Heine was deliberately attacking Madame de Staël's book De l'Allemagne (1813) which he viewed as reactionary, Romantic and obscurantist. He felt de Staël had portrayed a Germany of "poets and thinkers", dreamy, religious, introverted and cut off from the revolutionary currents of the modern world. Heine thought that such an image suited the oppressive German authorities. He also had an Enlightenment view of the past, seeing it as mired in superstition and atrocities. "Religion and Philosophy in Germany" describes the replacement of traditional "spiritualist" religion by a pantheism that pays attention to human material needs. According to Heine, pantheism had been repressed by Christianity and had survived in German folklore. He predicted that German thought would prove a more explosive force than the French Revolution.
In May 1848, Heine, who had not been well, suddenly fell paralyzed and had to be confined to bed. He would not leave what he called his "mattress-grave" (Matratzengruft) until his death eight years later. He continued to work from his sickbed: on the collections of poems Romanzero and Gedichte (1853 und 1854), on the journalism collected in Lutezia, and on his unfinished memoirs. He died on 17 February 1856 and was interred in the Paris Cimetière de Montmartre.
Heinrich Heine was called "Harry" as a child, but became "Heinrich" after his conversion to Christianity in 1825.
In 1848 Heine also returned to religious faith. In fact, he had never claimed to be an atheist. Nevertheless, he remained sceptical of organised religion.
Personality
Physical Characteristics:
Heinrich Heine experienced difficulties with his eyes. It had been suggested that he suffered from multiple sclerosis or syphilis, although in 1997 it was confirmed through an analysis of the poet's hair that he had suffered from chronic lead poisoning. He bore his sufferings stoically and he won much public sympathy for his plight.
Interests
politics, utopia
Politicians
Napoleon
Connections
Heine had had few serious love affairs, but in late 1834 he made the acquaintance of a 19-year-old Paris shopgirl, Crescence Eugénie Mirat, whom he nicknamed "Mathilde". Heine reluctantly began a relationship with her. She was illiterate, knew no German, and had no interest in cultural or intellectual matters. Nevertheless, she moved in with Heine in 1836 and lived with him for the rest of his life (they were married in 1841).