Background
JONES, Henry Arthur was born on September 28, 1851 in Grandborough, Buckinghamshire. Son of Silvanus Jones, fanner.
(Many of the earliest books, particularly those dating bac...)
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Case Of Rebellious Susan, A Comedy Henry Arthur Jones History; General; History / General
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(This scarce antiquarian book is a facsimile reprint of th...)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(This is a pre-1923 historical reproduction that was curat...)
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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(This book, from the series Primary Sources: Historical Bo...)
This book, from the series Primary Sources: Historical Books of the World (Asia and Far East Collection), represents an important historical artifact on Asian history and culture. Its contents come from the legions of academic literature and research on the subject produced over the last several hundred years. Covered within is a discussion drawn from many areas of study and research on the subject. From analyses of the varied geography that encompasses the Asian continent to significant time periods spanning centuries, the book was made in an effort to preserve the work of previous generations.
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(This book was digitized and reprinted from the collection...)
This book was digitized and reprinted from the collections of the University of California Libraries. Together, the more than one hundred UC Libraries comprise the largest university research library in the world, with over thirty-five million volumes in their holdings. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library.HP's patented BookPrep technology was used to clean artifacts resulting from use and digitization, improving your reading experience.
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( This is a reproduction of a book published before 1923....)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Triumph Of The Philistines, A Comedy Henry Arthur Jones
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(Excerpt from The Triumph of the Philistines: And How Mr. ...)
Excerpt from The Triumph of the Philistines: And How Mr. Jorgan Preserved the Morals of Market Pewbury Under Very Trying Circumstances, a Comedy in Three Acts M. Augustin Filo, writing in the Revue des deux Mondes of the character of Sally Lebrune, says: "The study is a brilliant one, and at moments really profound. It is the first time, if I mistake not, than an English dramatist, in introducing a Frenchwoman into his work, has turned out anything more than a collection of mere external peculiarities, tricks of facial expression, and mistakes in pronunciation and in language, and that he has penetrated into the very soul, or at least into the état d'âme, of another nation, differentiating it from his own." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(Excerpt from The Plays of Henry Arthur Jones: The Manœuvr...)
Excerpt from The Plays of Henry Arthur Jones: The Manœuvres of Jane, an Original Comedy in Four Acts About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(High Quality FACSIMILE REPRODUCTION: Jones, Henry Arthur ...)
High Quality FACSIMILE REPRODUCTION: Jones, Henry Arthur :The Manoeuvres Of Jane, An Original Comedy In Four Acts :Originally published by London, New York : S. French in 1905. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.
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(This is a pre-1923 historical reproduction that was curat...)
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Carnac Sahib, An Original Play Henry Arthur Jones
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(This book is a replica, produced from digital images of t...)
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing pages or blemishes due to the original source content. The UT libraries have worked with various digital partners to provide the best possible customer experience and hope you enjoy the results.
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(This is a reproduction of a book published before 1923. T...)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Whitewashing Julia, An Original Comedy Henry Arthur Jones
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(This book was originally published prior to 1923, and rep...)
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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(High Quality FACSIMILE REPRODUCTION: :Jones, Henry Arthur...)
High Quality FACSIMILE REPRODUCTION: :Jones, Henry Arthur, 1851-1929 :Whitewashing Julia : An Original Comedy In Three Acts And An Epilogue :1905 :Facsimile: Originally published by New York : The Macmillan Company; London, Macmillan & Co., Ltd. in 1905. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.
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(This is a pre-1923 historical reproduction that was curat...)
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
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(Originally published in 1906. This volume from the Cornel...)
Originally published in 1906. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.
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(Excerpt from Joseph Entangled: A Comedy in Three Acts Ent...)
Excerpt from Joseph Entangled: A Comedy in Three Acts Entangled Scene 1. The morning-room at Mr. Hardolph Mayne's, Saville Street, Piccadilly. A small front room on the ground floor in a London mansion. A door at back leading into hall. A door right. A window, left, looking out upon a fashionable West End street. A table up stage, left, with chairs on each side. A small table down stage, right. A table with writing materials down stage, left, below window. A handsome cabinet at back to right of door. A bracket clock on the wall. The room is bright, cosy, and furnished with taste; but there are evidences that the family is out of town. Much of the furniture is pushed up to the back of the room, and there is a general air of untidiness, betokening a months absence of the housemaid. Several articles of wearing apparel belonging to Mr. and Mrs. Knapman are scattered about the room, a bonnet, shawl, trousers, boots, etc. The table, left, is laid for two in a slovenly way, and with a dirty tablecloth. A supper of cold ham, with bread and cheese and pickles, and tankards of beer has just been eaten, and its remains are apparent. The window is thrown open at the bottom and the blind is up. The time is ten o'clock, on an evening in late August when nobody is in town. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 Excerpt: ...will you please tell me what on earth you have come for? 1 Sir J. rises quickly and goes c. to Tof. 'Sits again. Rists. Tof. I have come in the first place to withdraw my invitation to you to dine with me to-morrow night--Sir J. Eagerly takes up his engagement-book, and makes a mark. It's cancelled, my dear uncle! Please say no more.2 Tof. I have a great deal more to say. This unhappy gen-tleman, Mr. Hardolph Mayne, is the son of one of my oldest friends. I had also invited him and Lady Verona to dine with me. In accordance with my well-known principles, I shall be obliged to with-draw my invitation to them Sir J. Oh, my dear uncle! 3 Withdraw your invitations to everybody!. Give them all a night off! And give your principles a night off too! Let them have a little rest sometimes! I've got principles! We've all got principles! But, thank heaven, we don't make our neighbors uncomfortable by acting up to them! Tof. Very angry. Very well, sir! Very well! I have still a plain and painful duty to discharge to you in this matter. And if you Enter Staddon,1 announcing "Mr. Jermyn Pyecroft." Enter Jermyn Pyecroft, a tall, sleek, well-dressed, superior, affected person, about fifty; sharp-featured, a little bald; satirical, correct; a constant poseur. Exit Staddon. Pye. Ah, my dear Joseph Sir J. My dear Pyecroft. Pye. Fanmere, my salutations Shaking hands. Fan. How d'ye do? pyecroft looks at Tofield through eye-glass. Tofield grunts. Sir J. Introduces. Mr. Jermyn Pyecroft. My uncle, Professor Tofield, Jobsonian Professor of Moral Philosophy. Pye.2 Professor, I greet you most cordially. I was glancing at your new volume yesterday, "The Relation of Theory to Practice in Modern Ethics" toField bows. I have never before encountered anyone who suppose...
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( This is a reproduction of a book published before 1923....)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Chevaleer: A Comedy In Three Acts Henry Arthur Jones Chiswick Press, 1904 Drama; General; Drama / English, Irish, Scottish, Welsh; Drama / General
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(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1904 edition. Excerpt: ...anxious about you. lady Anne shows great alarm. Chev. Then I take it, Sir John, the centenary is left in my hands?! Sir J. Oh, no. FIfteen hundred pounds is too high. I must get another estimate. Cranage, will you come? I want your advice. Going off left. Chev. But, Sir John Sir J. Wait here, Mr. Chevaleer, till I've seen these other gentlemen of your calling. Come along, Cranage. Exit Sir John left. Cranage is following him, and the Chevalier is following Cranage. Cran. Wait here, my polyhippic friend! Chev. Polyhippic?! Cran. Do you deny you are polyhippic? Chev. Most emphatically. I must ask you to withdraw Cran. I repeat, " polyhippic!" "Polyhippic!" Exit left. Chev. Disconcerted. Polyhippic? Polyhippic! lady ANNE on the intelligence of the telegram has shown great concern; she stands as if dazed. The CHEVALIER approaches her quietly from behind. Chev. My lady, if I might crave another favour Lady A. Staring at him in a kind of dreamy horror.' Well Chev. These showmen are my humble friends, Professor Snewin and Abel Nokes--very worthy souls, but mere average, ordinary, human grovellers. Lady A. Well? Chev. If you would softly steal in upon Sir John and kindly point out to him that Nokes and Snewin are utterly incapable of doing justice to this great national spectacle; that the mammoth epoch-maker pointing to himself alone is qualified, eh, my lady? Beaming and winking at her. Lady A. More frightened. Very well, I'll try. Chev. I thank you, my lady. Lady A. You do see that I'm doing my best for you, don't you? Chev. My lady beaming and winking at her, "For ever will I bless the auspicious hour When on my raptured soul" Lady A. Oh please don't look at me like that! I'll see Sir John, and try to persuade...
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(The kind of revival we need is a revival that will restor...)
The kind of revival we need is a revival that will restore to our people the old-fashioned fear of God in the human heart, and reverence for the name of God, such reverence that you will no longer hear the name of God taken in vain upon the lips of men— from the White House down, on the sidewalks and in the places of business! Oh, my heart trembles when I hear how men in America, supposed to be Christian America, take the name of God in vain! Everywhere you go your blood is made to run cold with the irreverence and the lightness with which men use the name of God. 0 God, we need a revival that will restore reverence and the fear of God to our people! We need a revival that will stop the flood tides of sin, the lawlessness and ungodliness that are literally swamping our nation and the world. We need a revival that will restore the love of chastity and purity and restore a moral conscience to our people! We need a revival that will put an end to the dead formalism in our churches and make them soul-winning stations for God, a revival that will set them on fire with the power of the Holy Spirit, that will break the hearts of our people for a lost world. We need a revival that will restore a sin-consciousness to our people. We need a revival that will cause those who call them¬selves Christians to walk again with God, to separate themselves from the world, hold high the banner of righteousness and real Christian living. Oh, how we need to seek again the old paths and walk in them, not merely because they are old, but because they are right. We need a revival that will restore unto our people a sense of discrimination between right and wrong. Our people, both saved and unsaved, have all but lost their power to discriminate between that which is right and that which is wrong. The Word of God says, "Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!" (Isa. 5:20). In other words, it is a sad day in the life of any people when they lose their sense of right and wrong. You know, we are in a day when nobody thinks very much about sin. Sin has lost its exceeding sinfulness in the thinking of nearly everybody. Even the church leaders have lost their sense of sin. O God, how we need to come back to realize the awfulness of sin! Sin that nailed the Son of God to the cross must be exceedingly dark and wretched and black in the sight of Almighty God. If it took a remedy like that to save this old world from sin, I tell you sin is no small thing. We need a revival. We have got to have a revival—or else! Now let me put my message under three simple, homely headings. We need, first of all, a prayed-down revival. Secondly, we need a preached-up revival. And thirdly, we need a powered-in revival.
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(This is an EXACT reproduction of a book published before ...)
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(This book is a facsimile reprint and may contain imperfec...)
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing an...
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(The Lights o' London and Other Victorian Plays is a new s...)
The Lights o' London and Other Victorian Plays is a new selection of five nineteenth-century English plays, none of which has been recently available in print. Each represents vividly and masterfully the three dominant dramatic forms of the Victorian era: melodrama, farce, and comedy. All were extremely popular with audiences, and much vigour, excitement, and variety of dramatic expression of their time can be found in these texts. Included are Edward Fitzball's The Inchcape Bell; Joseph Stirling Coyne's Did You Ever Send Your Wife to Camberwell?; The Game of Specualtion by George Henry Lewes; George Robert Sims's he Light's 'o London; and The Middleman by Henry Arthur Jones. The texts of the plays have been newly edited and are presented with an introduction and detailed annotation.
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(HIGH QUALITY FACSIMILE REPRODUCTION: Jones, Henry Arthur:...)
HIGH QUALITY FACSIMILE REPRODUCTION: Jones, Henry Arthur: The Case Of Rebellious Susan; A Comedy In Three Acts : Facsimile: Originally published by London : Macmillan and Co. in 1901. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.
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(FACSIMILE REPRODUCTION: 1899The case of rebellious Susan;...)
FACSIMILE REPRODUCTION: 1899The case of rebellious Susan; a comedy in three acts [FACSIMILE] Originally published by New York Macmillan in 1899. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text. 140 pages.
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(This book, "The Case of Rebellious Susan: A Comedy in Thr...)
This book, "The Case of Rebellious Susan: A Comedy in Three Acts", by Henry Arthur Jones, is a replication. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
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(The Crusaders The Tempter The Masqueraders The Case of Re...)
The Crusaders The Tempter The Masqueraders The Case of Rebellious Susan
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(Psalms of David with a livelier and lustier relish than a...)
Psalms of David with a livelier and lustier relish than any of my neighbours in the adjacent pews. I wish I could claim that this lyric ecstasy arises from a superfoetation of British godliness within me, swelling me to a proud and just conceit of my superiority to all the sinners around me. But, alas !it comes from no such praiseworthy motive, and is indeed nothing but the natural exaltation of an English dramatist on getting some clue to his countrymen snotions on the subject of morality. For these worshippers who are chanting the songs of a treacherous murderer, a liar, and an adulterer a man after God sown heart, as the Scriptures say a treacherous murderer, a liar, and an adulterer, a royal man for all that, I say, these good worshippers who are so naively employed are the same average English playgoers who in the autumn of 1894 arose in a panic of 3.9881. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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(Augustin Filon, writing in the Revue des deux Mondes of t...)
Augustin Filon, writing in the Revue des deux Mondes of the character of Sally Lebrune, says: The study is a brilliant one, and at moments really profound. It is the first time, if I mistake not, that an English dramatist, in introducing a Frenchwoman into his work, has turned out anything more than a collection of mere external peculiarities, tricks of facial expression, and mistakes in pronunciation and in language, and that he has penetrated into the very soul, or at least into the Stat ddme, of another nation, differentiating it from his own. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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(This is a pre-1923 historical reproduction that was curat...)
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 Excerpt: ...been playing with the pieces, puts the bowl together. Guise.12 Yes, the pieces will join, but the bowl is broken. 1 Music. Coming R. C. 6 Going to bowl, holding it together. 7 Letting it fall asunder. s Crossing L. C. 9 Coming down to him. 10 Taking her hand. Enter Servant. 1 Serv. Your Grace, there are two people in the hall asking to see you. The man says his name is David Ives. Guise. Showing slight surprise. Show them in here and--with meaning to the Serv.--When they are here, find Miss Valrose and tell her that Mr. David Ives is with me here. Exit Serv. 2 David Ives! What brings him here? Can he know? Re-enter Serv. announcing Mr. Ives,s David enters followed by Faith. They look round the room with great curios-ity. David.4 You remember me? Guise.5 Perfectly, Mr. Ives. The last time I saw you, you reminded me that my neglect had lost a man's life. David.8 Now it has lost another.7 More than two years ago you brought John Christison up to London. You've kept him idling here ever since. When shall you have done with him? drus. very cautiously appears at back8 and stands behind the curtains, John follows her, peeping over her shoulders. Guise.9 I've done with him now. David.10 Then pay him his wages and let him go. I don't understand the lad. He seems lost and dazed. I can't get him back to Endellion with me. What's the reason? Guise. Am I his keeper? I believe Mr. Christison intends leaving London. He is free to do so. He is his own master. David. No. There's somebody up here in London "who's got the mastery over John Christison, and an evil mastery it is! Who is it? Guise. It's not I, Mr. Ives. David.1 Who is it? Guise. It must be one of the other five million Londoners. You had better ask him yourself. David. I will!2 You've changed the lad's natu...
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or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
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The Tempter, A Tragedy In Verse
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JONES, Henry Arthur was born on September 28, 1851 in Grandborough, Buckinghamshire. Son of Silvanus Jones, fanner.
Winslow, Buckinghamshire. Honourable Master of Arts.
Harvard University, 1907. Dramatic author.
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(Poetry & Plays)
Club: Reform.