Background
Curtiss was born c. 1922, in Elkins, West Virginia. Everything we know about his life is described in his book, that seems to be part biography and part tall-tale.
(How many times have you thought, "this has got to be true...)
How many times have you thought, "this has got to be true - no one could make this up?" Well, in 1929, Huston Curtiss was seven years old, living with his beautiful, opinionated mother (whose image is on the cover of this book), and surrounded by their romantic, fiercely independent, and often certifiably insane relatives. Huston has never before written about that time - an era of racism and repression, a time when this country was still relatively young, an age of quirky individualism and almost frontier-style freedom that largely has ceased to exist.
https://www.amazon.com/Sins-Seventh-Sister-Novel-Gothic/dp/140004538X/ref=sr_1_1?dchild=1&keywords=Huston+Curtiss&qid=1606378414&sr=8-1
2003
Curtiss was born c. 1922, in Elkins, West Virginia. Everything we know about his life is described in his book, that seems to be part biography and part tall-tale.
In Sins of the Seventh Sister: A Memoir of the Gothic South, a book that seems to be part biography and part tall-tale, Curtiss presents his memoir of growing up in an eccentric family in Elkins, West Virginia, during the late 1920s and beyond. But it is a family story with a twist, a book that "makes a claim on being the oddest book of the year," wrote Bob Powers on the Marietta Times Web site. Having decided that the book was "simply too wild to be sold as a memoir," publisher Harmony Books decided to reclassify Sins of the Seventh Sister as a work of fiction.
The book is reconstructed largely from meticulous diary entries from 1929, when Curtiss (then known as Hughie) was seven years old. His mother, the gorgeous, vivacious, and strong-willed Billy-Pearl - one of eleven children and the blonde "Seventh Sister" of the title - struggles to raise her family in difficult times. When Hughie's "trifling skunk of a father runs off, consumed with self-pity and syphilis," Billy-Pearl assumes leadership of the family, wrote Kevin Allman in the Washington Post. But Billy-Pearl "has a knack for attracting the desperate and destitute," noted a Publishers Weekly reviewer. She welcomes into her house black families that have been burned out by the Ku Klux Klan, a homeless schoolteacher, and two boys abused by their father. In addition to housing the desperate and destitute, Billy-Pearl takes up her rifle to protect the helpless and extract a little revenge, where necessary. She kills the abusive father of the two boys she takes in. She shoots a Klansman intent on doing harm to a black family, and is acquitted of attempted murder in the shooting - since she is the best shot in the county, she reasons to the court, if she had intended to kill the man he would have indeed been dead.
Billy-Pearl also welcomes to the family the character Allman considers "the book's other linchpin: Stanley, Hughie's adoptive brother," who is expected to arrive and help with the family's horses. But Stanley carries a secret: he had watched his abusive father kill his mother, and in his grief and rage murdered his father at age ten; as a result, Stanley was castrated by state authorities "in an attempt to contain his violent impulses," Allman wrote. Billy-Pearl's eye for the ragtag settles on Stanley, and she "sets out to be the parent he never had," according to Allman.
Curtiss explains that Stanley grew up to be a star at the Metropolitan Opera, suggesting that Stanley became diva Stella Roman. Roman's known biography and history, however, does not jibe with Curtiss's account. Other people, places, and events in Curtiss's "memoir" are equally difficult to account for in the real-life historic record. Curtiss mentions sensational trials that cannot be verified; he refers to shows by performers of the time that are known to have not taken place. A Kirkus Reviews critic remarked that "The ratio of tall-tale to reality on page after page is distressingly unclear." However, Allman warns that "looking too closely at any of this entertaining story would be a mistake."
(How many times have you thought, "this has got to be true...)
2003