Background
Reaves was born in Portland, Oregon, United States, on February 2, 1986.
2017
Jessi Reaves, Hublot Design Prize.
2 College St, Providence, RI 02903, USA
Jessi Reaves studied painting at the Rhode Island School of Design and graduated with her Bachelor of Fine Arts degree in 2009.
JeJessi Reaves, Will Perkins Reaves at Whitney Biennial.
Jessi Reaves, Sam Anderson at Whitney Biennial.
Jessi Reaves, Will Perkins.
Open Studio for Teens, Jessi Reaves. Photograph by Patrick MacLeod.
Open Studio For Teens. Jessi Reaves.
The artist Jessi Reaves at work
Reaves was born in Portland, Oregon, United States, on February 2, 1986.
Jessi Reaves originally studied furniture design at the Rhode Island School of Design but dropped out. A year later she returned to study painting and graduated with her Bachelor of Fine Arts degree in 2009.
Reaves left Providence for New York in 2010. She got a part-time job working as an upholsterer. As a result, she spent much time in a studio surrounded by bits and scraps. Those leftovers became the starting point for her oeuvre.
Jessi Reaves' works are mainly constructed from sawdust, plywood, foam, wood, car parts and plexiglass and finished with leather, silk, zippered covers and glass. Her materials involve elements of found furniture re-arranged anew. Each piece of her artworks is handcrafted and sculptural, yet never separated from its function.
At the beginning of the artistic career, Reaves participated in group exhibitions held at Golden Rule Gallery, Portland, Oregon, in 2011; International Contemporary Furniture Fair, New York City, New York, in 2013; Shoot the Lobster Gallery, Old Room Gallery, and Bed Stuy Love Affair Gallery, all located in New York City, New York, in 2015.
Jessi Reaves presented her first solo exhibition at Bridget Donahue, New York in April 2016. In 2017 the artist took part in the Whitney Biennial, producing inviting upholstered pieces meant to be utilized in the gallery. The co-curators of the exhibition, Christopher Y. Lew and Mia Locks, noted, "Rejecting the sleek craftsmanship of iconic midcentury design, Reaves exaggerates markers of construction to an almost aggressive abundance."
In 2018 Reaves contributed a sculpture to the group exhibition titled Eckhaus Latta: Possessed, which was held at the Whitney Museum. In addition, John Galliano invited Jessi Reaves to create raw, deconstructed sculptures for Maison Margiela's SS18.
Currently, she lives and works in New York.
Jessi Reaves's works have received recognition all over the world. Her artworks were featured in numerous exhibitions at key galleries and museums, including the White Columns and the Maccarone, Greenwich Street.
Reaves got a special mention during the Hublot Design Prize in Switzerland in 2017.
Today, her works are included in public collections of the Carnegie Museum of Art, Pittsburgh, Pennsylvania, the RISD Museum of Art, Providence, Rhode Island, the Whitney Museum of American Art, New York City, New York.
Anyone Knows How It Happened (Headboard for One)
Bad House Shelf
Bitches Bonnet Seat
Brown Beaded Cabinet
Butter-egg-chair II
Cabin Shelf
Cabinet for Rotten Log
Crust of the Lake
Drift Wood Chair
Engine Room Shelving (Recollection Wedding Edition)
European Yellow Couch
Foam Couch with Straps
Kragel's Nap Chair
Modified Wall Shelf with Racing Purse
Muscle Chair (Laying down to talk)
Night Cabinet (Little Miss Attitude)
Quick-To-Sew Jester's Hat (Noguchi Knockoff #1)
Rooster Ottoman with Parked chair
Rules Around Here (Waterproof Shelf)
Series 3 (Noguchi Fender Table)
Shelf for a Log
Shelf with Beaded Gate
Shelf with Pockets & Braid
Shop Fan
Sink
Sports Chair
Stained Glass
Strategic Vandalism
Trunk Bed Box (Weather)
Twice Is Not Enough (Red to Green Chair)
Quotations: "Ideally I want people to embrace the kind of patina or whatever you call it... the stuff that attaches to any object existing in the world. I just feel like the longer that I've lived with certain pieces, or ones that I've had in the studio, that have survived parties, I love those pieces more. Even the stains changes over time, spreading out and they kind of have their own life."