Background
Jo Campbell was born on July 26, 1938 in Saint Paul, Minnesota, United States. She is the daughter of Roger L., an elementary school principal, and Ann Louise (Carlson) Campbel, a teacher.
(“Bonnie Jo Campbell is a master of rural America’s postin...)
“Bonnie Jo Campbell is a master of rural America’s postindustrial landscape.” ―Boston Globe Named by the Guardian as one of our top ten writers of rural noir, Bonnie Jo Campbell is a keen observer of life and trouble in rural America, and her working-class protagonists can be at once vulnerable, wise, cruel, and funny. The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone. In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.
http://www.amazon.com/gp/product/0393353265/?tag=2022091-20
(The nature of Gertrude Buck, professor of English at Vass...)
The nature of Gertrude Buck, professor of English at Vassar College from 1897 until her death in 1922, is well-known to anyone interested in the history of composition. Her writing is less well-known, much of it now out of print. JoAnn Campbell gathers together for the first time the major work of this innovative thinker and educator, including her most important articles on rhetorical theory; The Social Criticism of Literature, a forerunner of reader-response literary theory; selections from her textbooks on argumentative and expository writing; poetry; fiction; her play Mother-Love, and unpublished reports and correspondence from the English department at Vassar. In her introduction, Campbell describes the masculine rhetorical tradition within which Buck wrote and taught. Her theories of language and composition quietly challenged the dominant rhetorics issuing from Harvard and Amherst. An unusually productive scholar, Buck wrote textbooks for her female students that affirmed women’s intellectual abilities and trained them to participate in political debate. In the Vassar English Department she found a community of women among whom she could practice and develop her theories regarding rhetoric, pedagogy, and the role of the individual in society. The nature of Gertrude Buck, professor of English at Vassar College from 1897 until her death in 1922, is well-known to anyone interested in the history of composition. Her writing is less well-known, much of it now out of print. JoAnn Campbell gathers together for the first time the major work of this innovative thinker and educator, including her most important articles on rhetorical theory; The Social Criticism of Literature, a forerunner of reader-response literary theory; selections from her textbooks on argumentative and expository writing; poetry; fiction; her play Mother-Love, and unpublished reports and correspondence from the English department at Vassar. In her introduction, Campbell describes the masculine rhetorical tradition within which Buck wrote and taught. Her theories of language and composition quietly challenged the dominant rhetorics issuing from Harvard and Amherst. An unusually productive scholar, Buck wrote textbooks for her female students that affirmed women’s intellectual abilities and trained them to participate in political debate. In the Vassar English Department she found a community of women among whom she could practice and develop her theories regarding rhetoric, pedagogy, and the role of the individual in society.
http://www.amazon.com/gp/product/0822955733/?tag=2022091-20
Jo Campbell was born on July 26, 1938 in Saint Paul, Minnesota, United States. She is the daughter of Roger L., an elementary school principal, and Ann Louise (Carlson) Campbel, a teacher.
Campbell attended Valparaiso University and graduated from it with Bachelor of Arts degree in 1980. Also she studied at the Pennsylvania State University and graduated from this university with Master of Arts degree in 1984. One more university which she attended was University of Texas at Austin, she got Doctor of Philosophy degree from it in 1989.
Campbell worked at Indiana University at English department at the position of an assistant professor from 1989 till 1996. From that same year she has worked at Center on Philanthropy as a community service associate.
She is a volunteer in Middle Way House (battered women’s shelter), she has held this post from 1996.
As an author, her primary motivation for writing Toward a Feminist Rhetoric was a desire to honor the work of Gertrude Buck, a remarkable woman professor at Vassar College from 1897 to 1922, whose theories of rhetoric and practices of writing have recently become more mainstream.
Campbell was a finalist of the 2009 National Book Award in fiction for her short-story collection American Salvage.
She won Pushcart Prize for her story “The Smallest Man in the World,” the 1998 Associated Writing Programs Award for short fiction for "Women & Other Animals", and Eudora Welty Prize in 2009 from Southern Review for “The Inventor, 1972.”
(“Bonnie Jo Campbell is a master of rural America’s postin...)
(The nature of Gertrude Buck, professor of English at Vass...)
Campbell's position as a woman in higher education, and her struggles in writing on this theme challenges faced by students and colleagues, and contemporary debate on women’s voices have led her to research the writing of the first generation of women to attend colleges and universities in the United States. She had conducted research in archives of women’s colleges, finding student compositions, themes, letters, and diaries that explicitly address the issue of being taught to write in particular ways about certain subjects deemed appropriate to academe. Tied up in learning how to write in the academy are notions of what is considered intelligent, what’s worthy of consideration, and what topics and ways of thinking are substandard. Her questions throughout this research have been about what academia has lost in the process of creating a single acceptable way of thinking and expressing thought, and about how the entry of women into realms of higher education has changed the traditional rhetoric curriculum. Campbell's findings complicate the notion that women have been simply oppressed by writing processes or features that honor rational thought and linear logic in that the irony, play, and skill of these nineteenth-century essays reveal women’s talent for writing within the confines of academic prose. While women are shaped by the traditions of academic writing, they also stretch, challenge, and reshape those traditions.
Campbell is a member of National Society for Experiential Education.