Background
Feltham has been tentatively identified as the son of Thomas Hall Feltham, a clockmaker in Salisbury.
( This work has been selected by scholars as being cultur...)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
http://www.amazon.com/gp/product/1297024494/?tag=2022091-20
Feltham has been tentatively identified as the son of Thomas Hall Feltham, a clockmaker in Salisbury.
He is known for the Picture of London, an annual guide book that appeared from around 1800. He took work in the West Country, and lived for a time in Honiton, in east Devon. There he encountered Eliza Gould, who was running a school at South Molton, elsewhere in the same county.
They became involved, and engaged in 1795, but he broke it off, and did not give financial support to her school as she certainly had hoped.
After 1796, he moved to Salisbury, and then in 1799 to London. He died by 1815.
( This work has been selected by scholars as being cultur...)
(New)