Background
He was born in New York City, United States on December 22, 1885.
(Excerpt from A Pictorial History of the Movies Twenty ye...)
Excerpt from A Pictorial History of the Movies Twenty years ago, people used to excuse a bad movie by remarking that the motion pic~ ture is in its infancy. Today, whenever a par ticularly bad picture swims into our ken, we say the same thing sarcastically; confident that we have thereby delivered a stinging rebuke to the unfortunate movies for not developing faster. Yet consider the motion picture's immediate an cestor, the drama. Twenty-four hundred years ago, Aeschylus, Aristophanes, and Sophocles were writing dramatic masterpieces that must have been the culmination of centuries of patient trial and error by long-forgotten journeymen play wrights. Fifty-four years ago (1943 speaking) the very first motion picture was put upon film. Forty years ago the first motion picture to tell a story, The Great Train Robbery, was re leased. Its producer, Edwin S. Porter, died on April 30, 1941, at the age Of seventy-one. David Wark Griffith, the great pioneer of the pictures, was sixty-three years of age in 1943. Now go back twenty-four centuries. Compare the prog ress of the drama since the days of Sophocles with the progress of the motion picture in the half century of its existence. Do you feel a little more charitably inclined toward the shortcom ings of the younger art? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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He was born in New York City, United States on December 22, 1885.
He attended New York University.
In his varied career Taylor was a war correspondent, music teacher, translator, editor of Musical America, commentator for the Metropolitan Opera and New York Philharmonic broadcasts, and narrator for Walt Disney's Fantasia (1940). In 1942 he was elected president of the American Society of Composers, Publishers, and Authors and was later musical adviser to the Columbia Broadcasting System. His most important works include three operas, The King's Henchman (1926), Peter Ibbetson (1930), and Ramuntcho (1937); the orchestral suite Through the Looking Glass (1918); two cantatas; and his Elegy for orchestra (1944).
(Excerpt from A Pictorial History of the Movies Twenty ye...)
Taylor married three times. His first wife was Jane Anderson. They married in 1910 and divorced in 1918. In 1921, he married Mary Kennedy, who was an actress and a writer. They had a daughter, Joan Kennedy Taylor, in 1926, and divorced in 1934. Taylor married his third and final wife, costume designer Lucille Watson-Little, in 1945. They divorced eight years later.
