Background
Heider, Karl Gustav was born on January 21, 1935 in Northampton, Massachusetts, United States. Son of Fritz and Grace (Moore) Heider.
( Even before Robert Flaherty released Nanook of the Nort...)
Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
http://www.amazon.com/gp/product/0292714580/?tag=2022091-20
(Dust jacket notes: "The Dugum Dani, on whose culture this...)
Dust jacket notes: "The Dugum Dani, on whose culture this extraordinary book is the first full photographic record, are a Stone Age tribe of neolithic warrior farmers who live in the Grand Valley of Baliem in the Central Highlands of western New Guinea. At the time these photographs were taken, the Dugum Dani were almost unique, for they still not only practised ritual warfare but were virtually untouched by any forms of modern civilization. In 1961 the Film Study Center of Harvard University's Peabody Museum mounted an expedition to record this pristine world. Robert Gardner had organized the Center for anthropological film research because, as he says, 'By the year 2000 human society promises to vary little from continent to continent. Transportation and communication will link the remotest valley and farthest plateau with centers of technology. Deserts will be watered, marshes drained, and the cultures that developed in response to isolation or hardship will have disappeared...." Hardcover, 8.75 x 11.25 inches, xx+184 pages, illustrated with 337 photographs in color and black and white, Index.
http://www.amazon.com/gp/product/0233961402/?tag=2022091-20
(Landscapes of Emotion is a fascinating look at the cultur...)
Landscapes of Emotion is a fascinating look at the cultural construction of emotions, examining how people in different cultures shape ideas and talk about emotion. The primary subjects of the book are the Minangkabau, a matrilineal Moslem culture of three million people in West Sumatra, Indonesia.
http://www.amazon.com/gp/product/0521032601/?tag=2022091-20
(This extraordinary book: Gardens of War: Life and Death i...)
This extraordinary book: Gardens of War: Life and Death in the New Guinea Stone Age is the first full photographic record, are a Stone Age tribe of Neolithic warrior farmers who live in the Grand Valley
http://www.amazon.com/gp/product/B000MG4F9Y/?tag=2022091-20
( Seeing Anthropology continues to be the only cultural ...)
Seeing Anthropology continues to be the only cultural anthropology text available that allows for easy integration of ethnographic films into the introductory cultural anthropology course. This text truly incorporates films within the text by blending textbook content with sixteen ethnographic film clips that are put in the hands of students. One reviewer says, “The greatest strengths of this text are its unique and skillful use of film clips to enhance student learning…I can think of no better way to extend student learning in anthropology than the use of films.”
http://www.amazon.com/gp/product/0205512666/?tag=2022091-20
(A film-goer accustomed to the typical Hollywood movie plo...)
A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. "Indonesian Cinema" should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries.
http://www.amazon.com/gp/product/0824813677/?tag=2022091-20
(This case study examines an isolated tribe in Indonesia, ...)
This case study examines an isolated tribe in Indonesia, West New Guinea, when tribe members were still using stone axes, bows, arrows and spears, up to more present times spanning 34 years (1961-1995). The author's long engagement with the Dani results in a wide range of engaging topics as well as coverage of the ethical dilemma he faced as an anthropologist. One immediately acquires a sense of the limitations and strengths of the anthropologist's role in the field. Heider's 1995 visit to the Dugnm Dani left him less optimistic about the future of the Dani than his 1988 visit. Indonesian Independence Day was celebrated during Heider's stay. The Dani presence was barely acknowledged, while the Indonesian presence was colorfully represented. The past mistakes of foreign occupation of indigenous territory, committed mostly by Western powers, now seem repeated by the Indonesian authorities.
http://www.amazon.com/gp/product/0155051733/?tag=2022091-20
Heider, Karl Gustav was born on January 21, 1935 in Northampton, Massachusetts, United States. Son of Fritz and Grace (Moore) Heider.
Student, Williams College, 1952-1954; Bachelor of Arts, Harvard University, 1956; postgraduate, U. Vienna, Austria, 1957-1958; Master of Arts, Harvard University, 1959; Doctor of Philosophy, Harvard University, 1966.
He had two brothers; John and Stephan. After spending two years at Williams College, Heider transferred to Harvard College where he earned his Bachelor of Arts in Anthropology. Heider then spent a year touring Asia on a Sheldon Traveling Fellowship provided by Harvard.
Returning to Harvard in 1958, Heider went on to earn an Master of Arts in 1959 and Doctor of Philosophy in 1966.
Heider"s work ranged from psychological anthropology to visual anthropology. lieutenant has included going into the West Papua region in the 1960s and 1990s.
As well as producing works on ethnographic film making and writing on Indonesian cinema.
(Dust jacket notes: "The Dugum Dani, on whose culture this...)
(This extraordinary book: Gardens of War: Life and Death i...)
(This case study examines an isolated tribe in Indonesia, ...)
( Even before Robert Flaherty released Nanook of the Nort...)
( Seeing Anthropology continues to be the only cultural ...)
(Landscapes of Emotion is a fascinating look at the cultur...)
(A film-goer accustomed to the typical Hollywood movie plo...)
(In a hidden valley, survivors of the Stone Age live. Gard...)
Fellow American Anthropological Association (chairman ethics committee 1978-1979), Royal Anthropological Institute. Member American Ethnological Society, Association Social Anthropology in Oceania, Polynesian Society (life), Society Visual Anthropology (president 1987-1989). Clubs: Kosmos (Columbia).
Married Eleanor Rosch, January 1967 (divorced 1973). Married second Mary Elizabeth Bruton, November 27, 1976. Children: Mary Winn, John Bruton, Paul Moore.