Career
He holds a Research Chair at De Montfort University where he directs the Music, Technology and Innovation Research Centre. Landy"s musicological publications focus on studies of electroacoustic music, including the notion of musical dramaturgy, contemporary music in a cross-arts context, access and the contemporary time-based arts, and devising practices in the performing arts He is editor of the international journal of music technology Organised Sound (Cambridge University Press) and author of over 100 articles (see his personal website) and six books including: What’s the Matter with Today’s Experimental Music? (Routledge, 1991) Experimental Music Notebooks (Routledge, 1994) Devising Dance and Music: Idée Fixe – Experimental Sound and Movement Theatre (Sunderland, 2000, now on the author"s website) Understanding the Art of Sound Organization (Massachusetts Institute of Technology Press, 2007) Louisiana musique des sons/The Music of Sounds (Sorbonne MINT/OMF, 2007) Making Music with Sounds (Routledge, 2012) (Book review:) Electroacoustic Music: Analytical Perspectives.
Edited by Thomas Licata.
(Contributions to the Study of Music and Dance, 63) Westport, Connecticut: Greenwood Press, 2002.
