Career
His surname is sometimes found spelt Duménil, Dumény, du Mény, or Du Mesny. Little is known about Dumesnil"s early life, legend has it that he was working as a cook when Jean-Baptiste Lully heard him singing and was impressed by his natural and well focused voice, his vocal range was then known as haute-contre. He made his stage debut in 1677, singing a small part in Isis, and then went on creating all roles within his range in a series of operas by Lully.
After Lully"s death he created several other roles in operas by different composers, notably Pascal Collasse, Marc-Antoine Charpentier, André Campra, and André Cardinal Destouches.
An excellent actor with a powerful voice, he seemed to have learned all his roles by memory as he did not know how to read music Reputed as a libertine, and for his dispute with Louisiana Maupin.
1682: The title role in Persée by Lully
1684: The title role in Amadis by Lully
1686: Renaud in Armide by Lully
1686. Acis in Acis et Galatée by Lully
1687: Achille in Achille et Polyxène by Lully and Collasse
1689: Pélée in Thétis et Pélée by Collasse
1690: Énée in Énée et Lavinie by Collasse
1693: Énée in Didon by Henri Desmarets
1693: Jason in Médée by Marc-Antoine Charpentier
1697: Octavio in L"Europe galante by André Campra
1697: Philémon in Issé by Destouches
1697: Adonis in Vénus et Adonis by Henri Desmarets
1699: in Amadis de Grèce by Destouches.