Background
Louis Janmot was born on May 21, 1814 in Lyon, Rhone-Alpes, France, into the family of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sisters in 1829.
Louis Janmot was born on May 21, 1814 in Lyon, Rhone-Alpes, France, into the family of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sisters in 1829.
Louis became a student at the Royal College of Lyon. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres.
After Louis's return from studying to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as "The Resurrection of the son of the widow of Nain", painted in 1839, or "Christ in Gethsemane", painted in 1840. After 1845, he caught the interest of Charles Baudelaire with his painting "Flower of the Fields" which guaranteed him access to the Salon of 1846. But the failure of his "Poem of the Soul" at the Universal Exhibition of 1855 disappointed him.
In 1856, Janmot obtained a commission to paint a fresco representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.
Surprisingly, Janmot moved to Paris in 1861 after having been promised a commission for the Church of St. Augustine, but this project was abandoned three years later. In experiencing significant family and financial problems, Janmot accepted a professorship at the Dominican School of Arcueil. At that time, in his home in Bagneux, he made many portraits of the members of his family.
While the Prussian troops approached and occupied his home, he fled to Algiers with his stepfather and made landscape paintings. He returned in June of the following year in Paris and led a solitary life. His house in Bagneux had been looted. In 1878, he produced a fresco in the chapel of the Franciscans in the Holy Land, but this work was followed by any further order. Faced with family and increasing financial problems, Janmot came to Toulon, and despite some orders he lived a retired life. He finished the second part of the "Poem of the Soul" that the patron and former industrial Félix Thiollier were willing to publish. He made charcoal drawings on the theme of the underworld, which can be regarded as a kind of continuation of the "Poem of the Soul", including "Purgatory" and "The End of Time." He died five years later at the age of 78.
Poème de l'âme 14: Sur la Montagne
Poème de l'âme 15: Un Soir
Portrait de l'artiste
Poème de l'âme 11: Virginitas
Poème de l'âme 10: Première Communion
Poème de l'âme 18: Réalité
Poème de l'âme 7: Le Mauvaus Sentier
Poème de l'âme 12: L’Échelle d’or
Poème de l'âme 5: Souvenir du ciel
Poème de l'âme 2: Le Passage des âmes
Poème de l'âme 16: Le Vol de l’âme
Poème de l'âme 9: Le Grain de blé
Poème de l'âme 8: Cauchemar
Portrait du révérend Père Henri Lacordaire
Poème de l'âme 17: L’Idéal
Poème de l'âme 13: Rayons de soleil
Poème de l'âme 3: L’Ange et la mère
Poème de l'âme 6: Le Toit paternel
Flower of the Fields
L'assomption de la Vierge
Poème de l'âme 4: Le Printemps
Poème de l'âme 1: Génération divine
Janmot has been seen as a transitional figure between Romanticism and Symbolism, prefiguring the French part of the Pre-Raphaelite Brotherhood.
In December 1855 Louis married Leonie Saint-Paulet, from a noble family in Carpentras. After the birth of her seventh child in August 1870, his wife died in Bagneux. In 1885, Janmot married a former student, Antoinette Currat.