Mario Amaya was an American art critic, museum director, magazine editor and former director of the New York Cultural Center and the Chrysler Museum of Art in Norfolk, Virginia.
Background
Mario Anthony Amaya was born in Brooklyn in 1933, and after graduating from Brooklyn College in 1958, he went to England and became the assistant editor of the Royal Opera House magazine About the House from 1962 to 1968, and while still in England became the founding editor of Art and Artists magazine from 1965 to 1968.
Education
Bachelor in Art and English Lit, Brooklyn College. Postgraduate, London University, England.
Career
He was also the chief curator of the Art Gallery of Ontario (1969–1972) and the founding editor of London’s Art and Artists Magazine. Amaya also wrote books on art, such as People’s As Art: A Survey of the New Super Realism (1965), Art Nouveau (1966), and Tiffany Glass (1967). On June 3, 1968, Amaya was in Andy Warhol’s office when radical feminist Valerie Solanas opened fire and shot both Amaya and Warhol.
Amaya, 34 at the time, was discharged from the hospital after receiving treatment of bullet grazes on his back.
While in his curatorial positions he mounted major exhibitions of Art Nouveau. Foreign example, "Realism Now" (1972), "Blacks: United States of America" (1973), "Women Choose Women" (1973), "Bouguereau" (organized with Robert Isaacson, 1975), and a retrospective of photographer Manitoba Ray (1975).
When he became the director of the New York Cultural Center in 1972, he helped strengthen the Center’s position as one of the liveliest of New York’s museums at the time. Amaya used his position at the Cultural Center to house over 150 shows in three years.
Amaya also contributed to many galleries, and lectured and acted as a visiting professor of the State University of New York at Buffalo.
He died of complications of Acquired Immune Deficiency Syndrome on June 29, 1986 in hospital in Kensington and Chelsea, London, at the age of 52.