Background
North, Michael L. was born on October 19, 1951 in Wagoner, Oklahoma, United States.
(Michael North offers a subtle reading of the issues by li...)
Michael North offers a subtle reading of the issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. Though Yeats, Eliot, and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicized aesthetic, one that confessed their inability to do so. The book includes accounts of the specific political activities of the three writers, reinterpretations of their critical theories in light of their politics, and rereadings of some of their major works, including The Tower, The Waste Land, and Pisan Cantos.
http://www.amazon.com/gp/product/0521102731/?tag=2022091-20
(In this latest addition to Oxford's Modernist Literature ...)
In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists--including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace--to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.
http://www.amazon.com/gp/product/0195381238/?tag=2022091-20
(The politics of Yeats, Eliot and Pound have long been a s...)
The politics of Yeats, Eliot and Pound have long been a source of discomfort and difficulty for literary critics and cultural historians. In The Political Aesthetic of Yeats, Eliot and Pound, Michael North offers a subtle reading of these issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. The many contradictions of modernism, which is seen as inwardly personal yet impersonal, subjective and yet beholden to tradition, fragmented and yet whole, mark the reappearance in art of these political contradictions. Though Yeats, Eliot and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicised aesthetic, one that confessed their inability to do so. Yet this aesthetic retained an element of critical power, precisely because it could not cover up the political contradictions that concerned it; the poetry remains a valid criticism of the status quo and even in its failure suggests the beginnings of an alternative.
http://www.amazon.com/gp/product/B00DCWLMLY/?tag=2022091-20
(Camera Works is about the impact of photography and film ...)
Camera Works is about the impact of photography and film on modern art and literature. For many artists and writers, these new media offered hope of new means of representation, neither linguistic nor pictorial, but hovering in a kind of utopian space between. At the same time, the new media introduced a dramatic element of novelty into the age-old evidence of the senses. For the avant-garde, the challenges of the new media were the modern in its most concentrated form, but even for aesthetically unadventurous writers they constituted an element of modern experience that could hardly be ignored. Camera Works thus traces some of the more utopian projects of transatlantic avant-garde, including the Readie machine of Bob Brown, which was to turn stories and poems into strips of linguistic film. The influence of photography and film on the avant-garde is traced from the early days of Camera Work, through the enthusiasm of Eugene Jolas and the contributors to his magazine transition, to the crisis created by the introduction of sound in the late 1920's. Subseguent chapters describe the entirely new kind of sensory enjoyment brought into modern American fiction by the new media. What Fitzgerald calls "spectroscopic gayety," the enjoyable diorientation of the senses by machine perception, turns out to be a powerful force in much American fiction. The revolutionary possibilities of this new spectatorship and its limitations are pursued through a number of examples, including Dos Passos, James Weldon Johnson, and Hemingway. Together, these chapters offer a new and substantially different account of the relationship between modern American literature and the mediatized society of the early twentieth century. With a comprehensive introduction and detailed particular readings, Camera Works substantiates a new understanding of the formal and historical bases of modernism. It argues that when modern literature and art respond to modernity, on a formal level, they are responding to the intervention of technology in the transmission of meaning, an intervention that unsettles all the terms in the essential relationship of human consciousness to the world of phenomena.
http://www.amazon.com/gp/product/0195332938/?tag=2022091-20
(In this latest addition to Oxford's Modernist Literature ...)
In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization ...
http://www.amazon.com/gp/product/B00FDVMV9Y/?tag=2022091-20
(The Dialect of Modernism uncovers the crucial role of rac...)
The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other.
http://www.amazon.com/gp/product/0195122917/?tag=2022091-20
North, Michael L. was born on October 19, 1951 in Wagoner, Oklahoma, United States.
Kansas State Teachers College (Bachelor of Arts, 1973). University of Kansas (Master of Business Administration, 1977. Juris Doctor, 1977). Phi Delta Phi.
Worked at Boyer, Donaldson & Stewart (Wichita, Kansas) specializing in Health Care Law, Litigation, Medical Malpractice Defense Law, Personal Injury Law, Banking/Commercial Law. Admitted to the bar, 1977, Kansas. Phi Delta Phi. Member: Wichita and Kansas Bar Associations.
American Academy of Hospital Attorneys.
Kansas Association of Hospital Attorneys.
(In this latest addition to Oxford's Modernist Literature ...)
(In this latest addition to Oxford's Modernist Literature ...)
(Michael North offers a subtle reading of the issues by li...)
(The politics of Yeats, Eliot and Pound have long been a s...)
(The Dialect of Modernism uncovers the crucial role of rac...)
(Camera Works is about the impact of photography and film ...)
Wichita and Kansas Bar Associations. American Academy of Hospital Attorneys. Kansas Association of Hospital Attorneys.
Litigation, Personal Injury and Medical Malpractice Defense, Hospital/Medical, Corporate Law.