Background
Muriel Rukeyser was born in New York City, the daughter of Lawrence Rukeyser and Myra Lyons.
( Written in response to the Hawk’s Nest Tunnel disaster ...)
Written in response to the Hawk’s Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia’s cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
https://www.amazon.com/Book-Dead-Muriel-Rukeyser/dp/194668421X?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=194668421X
( Muriel Rukeyser held a visionary belief in the human ca...)
Muriel Rukeyser held a visionary belief in the human capacity to create social change through language. She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems.
https://www.amazon.com/Collected-Poems-Muriel-Rukeyser-Kaufman/dp/0822959240?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0822959240
( A Muriel Rukeyser Reader gathers a generous selection o...)
A Muriel Rukeyser Reader gathers a generous selection of poetry and prose spanning the forty-five years of Rukeyser's writing life. Bringing together works only sparsely anthologized or long out of print, this book is a resource for understanding the range, depth, and originality of this pioneering writer whom the poet Anne Sexton named "Muriel, mother of everyone."
https://www.amazon.com/Muriel-Rukeyser-Reader/dp/0393313239?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0393313239
( An elegant relaunch of Muriel Rukeyser’s Elegies, previ...)
An elegant relaunch of Muriel Rukeyser’s Elegies, previously available only in a limited edition, celebrates the centennial of her birth "Not all things are blest, but the seeds of all things are blest." ― Muriel Rukeyser, “Elegy in Joy” First published by New Directions in 1949, Muriel Rukeyser’s Elegies were written over a seven years period the end of the Spanish Civil War, World War II, Hiroshima and Nagasaki, and the beginnings of the Cold War. Both and homage to Rilke’s Duino Elegies and a spiritual reckoning that is particularly resonant today, these poems present no angelic orders, only the difficulties of living in the modern world, the depths of shipwreck, and “Love that gives us ourselves, in the world known to all.”
https://www.amazon.com/Elegies-Muriel-Rukeyser/dp/0811221067?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0811221067
(Those who have traveled know the experience of extended t...)
Those who have traveled know the experience of extended time and sharpened perception. Muriel Rukeyser's account of Puck Fair — the last existing pagan festival of the goat — captures just that state of consciousness. Set in County Kerry, Ireland, The Orgy evokes this great American poet's journey of sensual and psychological transformation in the midst of a lush account of Irish culture and tradition. With a preface by Sharon Olds.
https://www.amazon.com/Orgy-Irish-Journey-Passion-Transformation/dp/0963818325?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0963818325
( "At first Savage Coast” is a train-of-fools comedy; la...)
"At first Savage Coast” is a train-of-fools comedy; later, it’s a cross-cultural love story Hemingway would have envied for its suddenness." New York Times Book Review "Rejected by her publisher in 1937, poet Rukeyser’s newly discovered autobiographical novel is both an absorbing read and an important contribution to 20th-century history.... Ironically, the factors that led to the novel’s rejectionRukeyser’s avant-garde impressionistic prose style, alternating with realistic scenes of brutal death and a few descriptions of sexual congressare what make the book appealing today."Publisher's Weekly As a young reporter in 1936, Muriel Rukeyser traveled to Barcelona to witness the first days of the Spanish Civil War. She turned this experience into an autobiographical novel so forward thinking for its time that it was never published. Recently discovered in her archive, this lyrical work charts her political and sexual awakening as she witnesses the popular front resistance to the fascist coup and falls in love with a German political exile who joins the first international brigade. Rukeyser's narrative is a modernist investigation into the psychology of violence, activism, and desire; a documentary text detailing the start of the war; and a testimony to those who fought and died for freedom and justice during the first major battle against European fascism.
https://www.amazon.com/Savage-Coast-Lost-Found-Elsewhere/dp/1558618201?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1558618201
( This previously unpublished work presents the spectacul...)
This previously unpublished work presents the spectacular life of world-renowned escape artist, Harry Houdini. Part biography part fantasy, Houdini unlocks Rukeyser's worlds of illusion and reality as she leads us from Houdini's childhood in Appleton, Wisconsin (picking up pins with his eyelids) to his acts under water and onstage. We meet his wife Bess, his mother, Arthur Conan Doyle, and the poet's own Marco Bone, vehicle of voices, spirits, and songs. Rukeyser presents Houdini's shocking congressional testimony against spiritual mediums. She shows his great feats of escape, his complex relationships with his mother and his wife, and his ironic, untimely death. In addition to revealing the story of this country's tantalizing icon, Houdini offers a new understanding of Rukeyser's own work and life. Written at the height of the women's movement, the musical gives us Rukeyser's most famous lines, spoken by Houdini's wife Bess: "What would happen if one woman told the truth about her life? The world would split open." Houdini's response, "It has. Now I am going after it—all pieces." With subtexts of desire, race, grief, and love, Houdini presents Rukeyser's gorgeous, reaching language and her brilliant observations of the human psyche. The musical will appeal to young bell-bottomed readers as well as Houdini devotees, poetry fans, drama people, and escape artists everywhere. A recipient of an NEA, Houdini joins the Rukeyser resurgence that is well underway—with the Paris Press publications of The Life of Poetry and The Orgy, and the University of Pittsburgh's 2002 reissue of The Collected Poems.
https://www.amazon.com/Houdini-Musical-Muriel-Rukeyser/dp/1930464053?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1930464053
(The poetry of Muriel Rukeyser confronts the turbulent cur...)
The poetry of Muriel Rukeyser confronts the turbulent currents of 20th-century history, as it explores with depth and honesty the realms of politics, sexuality, mythic imagination, technological change, and family life. She was a social activist of unwavering commitment, a tireless experimenter who opened fresh forms and fresh subject matter in modern American poetry, and a writer who was constantly testing her own limits in a life’s work of extraordinary scope. “She refused to compartmentalize herself or her work,” writes editor Adrienne Rich, “claiming her right to intellect and sexuality, poetry and science, Marxism and myth, activism and motherhood, theory and vision. . . . She was one of the great integrators, seeing the fragmentary world of modernity not as irretrievably broken, but in need of societal and emotional repair.” This new selection provides an indispensable introduction to her adventurous and prolific work. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.
https://www.amazon.com/Muriel-Rukeyser-Selected-American-Project/dp/1931082588?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=1931082588
(American; Classroom Adoption; Fiction; General; Poetry)
American; Classroom Adoption; Fiction; General; Poetry
https://www.amazon.com/Out-Silence-Selected-Muriel-Rukeyser/dp/0810150158?SubscriptionId=AKIAJRRWTH346WSPOAFQ&tag=prabook-20&linkCode=sp1&camp=2025&creative=165953&creativeASIN=0810150158
Muriel Rukeyser was born in New York City, the daughter of Lawrence Rukeyser and Myra Lyons.
She graduated from the Fieldston School in 1930 and then attended Vassar College in Poughkeepsie, N. Y. , from 1930 to 1932. She also was a student at Columbia University in New York City during the summers of 1931 and 1932.
While a student at Vassar, Rukeyser was the literary editor for the leftist undergraduate journal Student Review. In 1931 she drove south with two friends to cover the controversial trial in Scottsboro, Ala. , of nine black youths accused of raping two white girls. During her brief stay in Scottsboro, she and her friends were detained by police and charged with contempt of court after they were seen speaking with black reporters and they were connected to a black student conference. This experience is evident in her poem "The Trial" and may have established her interest and commitment to social causes and those wrongly accused of crimes.
Most of her poetry written during her undergraduate days centered more on personal than social or political issues, and after leaving Vassar to pursue a writing career, she began publishing poems in such periodicals as Poetry. In 1935 she became an associate editor for New Theater magazine and took a flying course in order to learn the mechanics of aviation for her collection of poems Theory of Flight (1935). These poems contained descriptions of the structure of a plane in addition to aspects of her own adolescence and reflections of social concerns. She received critical attention for this first collection, and although it won the Yale Series of Younger Poets competition, it was labeled overburdensome with obscure details by some reviewers.
In 1936, Rukeyser traveled to London and then to Spain, where she reported on the People's Olympiad, which had been organized by workers sports clubs in protest against the official Olympic Games being held in Nazi Germany. Upon her return to the United States she became active in the cause of Spanish loyalists. Her second volume of poems, U. S. 1, was published in 1938, and one of the most striking poems in the collection, "The Book of the Dead, " details the story of a West Virginia mining town dying of silicosis. One reviewer, however, commented that "while having come into her own, " she had yet to "fuse the personal and social. "
Rukeyser followed this collection with A Turning Wind (1939), The Soul and Body of John Brown (1940), Wake Island (1942), Beast in View (1944), The Children's Orchard (1947), and The Green Wave (1948). Three collections were published in 1949, Orpheus, Elegies, and The Life of Poetry, and her later works are Selected Poems (1951), One Life (1957), Body of Waking (1958), Waterlily Fire (1962), The Orgy (1965), The Outer Banks (1967), The Speed of Darkness (1968), Twenty-nine Poems (1970), The Traces of Thomas Hariot (1971) Breaking Open (1973), and The Gates (1976).
In 1979 a comprehensive volume of her poetry was published and critics raved about the vast nature of her work, which reflected American history from the Great Depression to the Vietnam War. A posthumous collection, More Nights, was published in 1981. Rukeyser also translated the work of other poets, including Octavio Paz and Bertolt Brecht. Her books for children were Come Back Paul (1955), I Go Out (1961), Bubbles (1967), and Mazes (1970).
She also wrote a play, a biography (Willard Gibbs, 1942), and for motion pictures and television. Her academic career included serving on the faculty of Sarah Lawrence from 1956 to 1967 and on the board of directors for the Teachers-Writers Collaborative in New York from 1967 to 1980. She was a member of the National Institute of Arts and Letters and the Society of American Historians. She also served as president of PEN (Poets, Playwrights, Essayists, Editors, and Novelists) from 1975 to 1976. Walker was one of the up-and-coming black women writers who had studied under Rukeyser at Sarah Lawrence. A long time resident of Greenwich Village in New York City, she died there of a heart attack after suffering from two strokes.
( Written in response to the Hawk’s Nest Tunnel disaster ...)
(The poetry of Muriel Rukeyser confronts the turbulent cur...)
( An elegant relaunch of Muriel Rukeyser’s Elegies, previ...)
( "At first Savage Coast” is a train-of-fools comedy; la...)
( A Muriel Rukeyser Reader gathers a generous selection o...)
( This previously unpublished work presents the spectacul...)
( Muriel Rukeyser held a visionary belief in the human ca...)
(Those who have traveled know the experience of extended t...)
(American; Classroom Adoption; Fiction; General; Poetry)
Quotations:
In a January 1979 interview for Ms. magazine, Rukeyser commented to Louise Bernikow: "The heart of the reimagining is rebellion, breaking through old thought. "
She also spoke of women poets: "I wish we were better. I wish the cute and coy elements were purged. I know it's attractive, but it isn't what I need in poems. I think a lot of June Jordan, Alice Walker, and Audre Lorde. Black women know how to rebel. I try to hold in my mind somebody who sees it all--some future unborn black woman poet. "
Member of the National Institute of Arts and Letters
Member of the Society of American Historians
Quotes from others about the person
Thomas Lask, in a New York Times review, commented: "Poetry was never an artifice to Muriel Rukeyser, never a decoration on life. The woman and the poet were one. She was always committed. What that commitment meant to her is the substance of her richly rewarding book. "
Rukeyser had one child but there is no information on whether or not she ever married.