Background
Tuma, Mym was born on September 23, 1940 in Berwyn, Illinois, United States. Daughter of William Anthony Thuma and Mabel Otradovec Thuma.
Tuma, Mym was born on September 23, 1940 in Berwyn, Illinois, United States. Daughter of William Anthony Thuma and Mabel Otradovec Thuma.
Bachelor of Science, Northwestern University, 1959—1962. Master of Arts in painting and philosophy, Stanford University, 1963—1964. Post-graduate study under Esteban Vicente, New York University, 1964—1965.
After graduation, she experimented with three-dimensional works in her studio that she set up in Lake Chapala, Mexico. An exhibit of her work hung in Edens Gallery November 6-30, 1987 during Columbia College’s “Georgia O"Keeffe Centennial Celebration.” Tuma first met O’Keeffe in 1964 and during the following decade the two artists discovered several common interests, including an enthusiasm for each other’s art
This is shown from the various handwritten letters between Georgia O"Keeffe and Tuma which was found on OkeeffeAndMe.com
A pastel exhibition curated by Henry Geldzahler, former Curator of 20th Century Painting at the Metropolitan Museum of Art, hung at the Clayton Liberatore Gallery, Bridgehampton.
In 1992 she lectured at the Brooklyn Museum. She works on the East End of Long Island, New York and some examples of her work are on display at the Hirshhorn Museum and Sculpture Garden, in Washington, District of Columbia. She has abstracted works on paper from oval, spherical, radial, branching and spiraling growth patterns found in nature.
Her art conveys an understanding of universal structures in living things and how the process of conserving energy creates order. In 2005, Tuma authored Radiant Energy, Light In My Pastel Paintings.
The work is listed in Who’s Who In America 2006, her previous books include poetry in Awakening The Spirit, The Blue Planet Series, and essays on the creative process in The Shell Theory of the Sculptured Paintings, and O’Keeffe & Maine: Abstracts of Our Letters.
Tuma’s emphasis on organic forms and their structural and mathematical underpinnings tie her to the artistic category of an organic minimalist. Her work is unique in the way she creates shaped forms that exist in three-dimensional space, namely what Tuma calls her sculptured painting. Her artistic approach, has been predominantly influenced by oceanic and coastal forms.
Forms such as beach pebbles, sand, sprouting seeds, and spiraling shell forms.
Recently, Mym has been showing her artwork at the Lauren G shop in Sag Harbor and the Full Moon Art Gallery in East Moriches
During 2005, Mym Tuma exhibited work in the Merchants Bank gallery in South Hero, Vermont. Invited by curator Jeannie Peterson, the exhibited featured painting was a calla lily in dark blue space, a stylized image tilting within a square representing ground zero.
Tuma is a charter member of the National Museum of Women in the Arts, and exhibits her unique synthesis of sculptured paintings.