Education
University of Wisconsin–Madison. University at Buffalo, The State University of New New York
University of Wisconsin–Madison. University at Buffalo, The State University of New New York
Before moving to Duke, Armstrong was the Nancy Duke Lewis Professor of Comparative Literature, English, Modern Culture & Media, and Gender Studies at Brown University. She is currently the Gilbert, Louis & Edward Lehrman Professor of English at Duke. She is interested in eighteenthand nineteenth-century British and American fiction, empire and sexuality, narrative and critical theory, visual culture, and scientific discourses at work in literary forms.
She is best known for her groundbreaking book on the relationship between subjectivity and the novel, Desire and Domestic Fiction.
Over the course of her career, Armstrong has published many books and nearly one hundred articles and chapters. Armstrong is currently working on a project provisionally titled Gothic Remains.
She is also managing editor of Novel: A Forum on Fiction and co-editor of Encyclopedia of British Literary History. Armstrong received her Bachelor of Arts in 1966 from the State University of New York at Buffalo and her Doctor of Philosophy from the University of Wisconsin–Madison in 1977.
She is a past president of the Semiotic Society of America (1992).
Armstrong"s most influential book is Desire And Domestic Fiction: A Political History Of The Novel (Oxford University Press, 1987), a work of scholarship still relevant twenty years after its publication. As one reviewer put it, the book "changed the ways in which feminist critics of these novels saw the work these texts did. lieutenant changed the way we thought about public and private, agency and oppression, writing and action, giving us a far broader sense of the cultural work that novels do, as they translate political information into narratives about sex, gender, and desire."
Her two recent books are How Novels Think: British fiction and the Limits of Individualism (Columbia University Press, 2005), which is about the relationship between the formation of the modern individual and the genre of the novel, and Fiction in The Age of Photography: The Legacy of British Realism (Harvard University Press, 1999), which lays out a theory of realism that connects visual culture and fiction.