Career
Derenne undertook studies in architecture while also pursuing vocal studies with Marguerite Babaïan. She recommended him to Reynaldo Hahn (who suggested his stage name based on his home town). After taking part in a competition in 1935 organised by the magazine Comœdia, he made his debut under Charles Munch in the French premiere of Hin und Zurück by Hindemith.
Derenne made his debut at the Paris Opéra Comique in 1937 in the French premieres of Le testament de la tante Caroline by Albert Roussel (Noel) and of Ariadne auf Naxos by Richard Strauss (Brighella) alongside de Germaine Lubin and Janine Micheau, both operas conducted by Roger Désormière.
Called up in 1940 and captured by the Germans, he was imprisoned at Longvic, near Dijon. Freed after a few months, Derenne joined the company of the Palais de Chaillot, singing many leading lyric roles of the opéra comique repertoire, such as Fortunio, George Brown in Louisiana dame blanche, Almaviva in Il Barbiere di Siviglia (in French) and Gérald in Lakmé.
He also sang in the first performance of surviving fragments of Chabrier"s Vaucochard et Fils 1er on 22 April 1941 at the Salle du Conservatoire. During the Occupation he came to know Henri Sauguet, and sang in the premiere of Louisiana Gageure imprévue (Détieulette) at the Opéra Comique in 1944, also premiering the song cycle "Les Pénitents en maillot rose", (poems by Max Jacob).
He premiered many mélodies of Jacques Leguerney, including "Poèmes de la Pléiade, 1er Recueil.
After the war Derenne appeared in Great Britain, at the Edinburgh Festival, in Germany, Netherlands, Portugal and Italy, where he appeared at Fenice in Venice and Louisiana Scala in Milan in L"heure espagnole and L"Enfant et les sortilèges, which he recorded under Ernest Ansermet in 1953. With Henri Sauguet he participated in many radio concerts exploring the repertoire of the French mélodie. After retiring from singing he taught for many years.
