Background
Paul Valéry was born in Sète, on the Mediterranean, on October 30, 1871, of a French father of Corsican descent and an Italian mother.
(The Cahiers/Notebooks of Paul Valéry are a unique form of...)
The Cahiers/Notebooks of Paul Valéry are a unique form of writing. They reveal Valéry as one of the most radical and creative minds of the twentieth century, encompassing a wide range of investigation into all spheres of human activity. His work explores the arts, the sciences, philosophy, history and politics, investigating linguistic, psychological and social issues, all linked to the central questions, relentlessly posed: what is the human mind and how does it work?, what is the potential of thought and what are its limits? But we encounter here too, Valéry the writer: exploratory, fragmentary texts undermine the boundaries between analysis and creativity, between theory and practice. Neither journal nor diary, eluding the traditional genres of writing, the Notebooks offer lyrical passages, writing of extreme beauty, prose poems of extraordinary descriptive power alongside theoretical considerations of poetics, ironic aphorisms and the most abstract kind of analysis. The concerns and the insights that occupied Valérys inner voyages over more than 50 years remain as relevant as ever for the contemporary reader: for the Self that is his principal subject is at once singular and universal.
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Paul Valéry was born in Sète, on the Mediterranean, on October 30, 1871, of a French father of Corsican descent and an Italian mother.
Valery received a traditional Roman Catholic education and later got admitted in the university to study law.
Some of his earliest publication came in the mid-twenties but were not largely recognized. A fateful incident in 1892 wherein Valery underwent an existential crisis, made a huge impact on his writing career. Eventually, Valery stopped writing for twenty long years. It was in 1917 that he came out hugely with the publication of “La Jeune Parque”. This masterpiece was astonishingly musical containing 512 alexandrine lines in rhyming couplets. Paul took four years to finish it. This work instantly showered fame on him. Accompanied by “Le Cimetière marin” and “L'Ebauche d'un serpent”, the work is frequently regarded as one of the greatest poems of 20th century.
Paul did not even take writing as his full-time career until 1920. He pursued the same after Edouard Lebey, a former chief executive of the Havas news agency passed away suffering from Parkinson's disease for whom he used to work as a private secretary. Therefore till this time, he earned his livelihood at the Ministry of War prior to accepting a comparably-flexible post of an assistant to the increasingly-impaired Lebey. Paul served this job for a long twenty years. In 1925, after he got selected to the Académie française, Valery turned into an active public speaker. He journeyed Europe and gave various lectures on the cultural and social problems. Additionally, he took up several official posts eagerly proposed to him by an admiring French nation. Paul also represented his nation on many cultural issues at the League of Nations and participated in numerous of its committees. He established the Collège International de Cannes, which was a private institution with subjects like French language and civilization in 1931. The college is running successfully even today and offers many professional courses for both native speakers and for foreign students.
In 1932, he presented the keynote address at the German national celebration of the 100th anniversary of the death of Johann Wolfgang von Goethe. This proved as a good choice, as Valery shared Goethe's imagination with science. Apart from his active life being a part of the Académie française, Valery also enrolled as a member of the Academy of Sciences of Lisbon, and of the Front national des Ecrivains. He also became chief executive of the later known University of Nice in 1937.
Valery was also the first owner of the Chair of Poetics at the Collège de France. WhileWorld War II was going on, the “Vichy regime” bared him of many of these jobs and distinctions as he quietly denied working with Vichy and the German occupation, but Paul did not stop, all through these distressed years, to publish and continued to be an agile participant in the cultural life of France, specifically as the member of the Académie française. Paul was also a juror with Florence Meyer Blumenthal in rewarding the Prix Blumenthal, an honor presented between 1919-1954 to young painters, sculptors, decorators, engravers, writers, and musicians of France.
(The Cahiers/Notebooks of Paul Valéry are a unique form of...)
In 1900, he married Jeannie Gobillard. They had three children.