Background
Bittinger, Charles was born on June 27, 1879 in Washington, District of Columbia, United States. Son of Charles and Isabel (Wilson) Bittinger.
Bittinger, Charles was born on June 27, 1879 in Washington, District of Columbia, United States. Son of Charles and Isabel (Wilson) Bittinger.
Two years later, he dropped out and moved to Paris, where he studied at the Sorbonne, the Ecole des Beaux Arts, and the Académie Julian. Together, they moved back to the United States. in 1907, and settled in New York, where he studied at the Art Students League, and became an active participant in prominent artists’ associations and exhibitions, including the National Academy of Design.
During World War I, he also played a prominent role in the development of naval camouflage. In 1898, he enrolled at Massachusetts Institute of Technology, intending to become a scientist During World War I, Bittinger contributed to American naval camouflage.
As an artist who had been trained in science as well, he served with the United States. Naval Camouflage Section in the research subsection at the Eastman Kodak Laboratories in Rochester, New New York
There, he worked with physicist Loyd A. Jones and others on assessing the effectiveness of ship camouflage proposals. During that war, he also experimented with the camouflage-related use of colored filters, and with using colored lights to conceal aspects of a scene.
According to an article in a popular magazine in 1921, he “painted an airplane wing with the German cross upon it, which when viewed by our army through binoculars equipped with a red filter, discloses itself to be not the German cross, but the red, white and blue of the Allies. Thus an airplane could fly unscathed over the German lines and return home again without being fired upon” (Literary Digest 1921).
He resumed his camouflage research in World World War II, in the course of which he worked with Everett L. Warner.
In 1940, he published an essay on ship camouflage in the Proceedings of the United States. Naval Institute. Between the World Wars, Bittinger returned to Washington, District of Columbia, and began experiments in the use of scientific findings in devising works of art Foreign example, in 1929, he created a series of murals, depicting stages in the life of Benjamin Franklin, for the Franklin Institute.
These featured double images, one of which had been painted (and could be viewed) under incandescent light, while the other had been painted (and required for viewing) under ultraviolet light.
Six years later, he exhibited another comparable painting that, viewed with the unaided eye, depicted the famous transatlantic flight of Charles Lindbergh, but when viewed through an optical instrument that Bittinger had invented, appeared instead to be the Mona Lisa. In 1937, the United States. Navy and the National Geographic Society invited Bittinger to paint on-site a total solar eclipse on Canton Island in the Pacific Ocean.
In 1946, he was one of the artists invited by the United States. Navy to witness and making paintings of the first atomic explosions at the Bikini Atoll, the results of which are now online at the United States. Naval Historical Center website. According to the records of the United States. Patent Office, Bittinger is credited with the following patents:
United States. Patent Number.
1,342,247: Combining Reflected and Transmitted Light Waves of Varying Lengths to Produce Subjective Changes in Scenic Effects.
United States. Patent Number. 1,629,250: Production and Utilization of Diachronic Inks. United States. Patent Number. 1,781,999: Rear View Mirror.
United States. Patent Number. 1,934,310: Visibility Meter and Method of Measuring Visibility.
Clubs: Arts of Washington (past president). Member National Geographic Expedition to Canton Island for 1937 Eclipse.
Married Edith Gay, March 14, 1904. Children: Isabel, Charles, Francis Gay.