Career
In 1787, she debuted at the Stenborg Theatre. She was described as a fairy-like beauty with a voice that "cuddled the ear", and was anticipated to become one of the "greatest ornaments" of the theatre. She did meet with success, and in the following years she was given a great repertoire of leading roles which generally received good reviews.
She was called the "first actress" of the theatre and was placed by the side of Lisette Stenberg as one of the two leading ladies of the theatre.
She was used for heroine parts and was also popular in operettas. She played Susanna in The Marriage of Figaro opposite Didrik Gabriel Björn at the Swedish premier performance of this play on 20 December 1792.
She also played the title role in Minna von Barnhelm by Gotthold Ephraim Lessing in 1793. Her most acclaimed parts were the title roles in Nina (1792) and Azemia (1793).
As the mentally ill Nina, she was called "irresistibly touching", and "As the heroine of the play one of the most excellent actresses the Stenborg Theatre ever owned."
In 1788, a poem was published in the paper Stockholmsposten:
The writer is believed to have been Carl Michael Bellman.
She admired Gustav III of Sweden, and she was present at the masquerade ball where he was assassinated in 1792. In 1795 she debuted at the Royal Dramatic Theatre, where she was given a contract in 1796. She had several big parts with good reviews, but the competition was much greater at the Royal Theatre, and she did not take the same role of a star there.
She gave her last performance in 1802.
Shortly afterward, she was injured in the head by a falling block of ice, which caused her a "nerve illness". After she recovered in 1806, she was fired and denied a pension.
At the age of seventeen, she was to have been engaged to Count F. Posse, who died young. His letters were buried with her on her request.