Background
His father was Christian Kaulbach (1777–1847), a cabinet maker in Arolsen. He was also the cousin and at one time the student of the painter Wilhelm von Kaulbach, son of Philipp Karl Friedrich v.
His father was Christian Kaulbach (1777–1847), a cabinet maker in Arolsen. He was also the cousin and at one time the student of the painter Wilhelm von Kaulbach, son of Philipp Karl Friedrich v.
He painted independently until 1848, when he executed the painting Adam and Eve beside the body of Abel. This led to a call to a professorship at the Art Academy of Munich, which he declined. In 1850 he traveled to Paris, where he produced historical paintings, and supported himself through portraiture.
In 1850, Maximilian II of Bavaria commissioned him to paint the Coronation of Charlemagne for the Museum Maximilianeum.
The picture was completed in 1861. Kaulbach served as the court painter to King George V, whom he repeatedly portrayed, where he was a favorite portrait painter of the local nobility.
While he was the court painter to Hanover, he received a professorship at the University of Hanover. Among other benefits, the king gave his own studio and residential building, designed by the architect of the Hanoverian Christian Heinrich Tramm 1857-1860 on Waterloo Street in Hanover.
The house today is part of the Waterloo Beergarden.
His numerous portraits, such as those of the Sissy, the Empress of Austria, the Crown Prince Albrecht, the Count and Countess Stolberg, are extraordinarily detailed, even luminescent. The best women"s portraits have enhanced his reputation. Frederick Kaulbach"s grave may be found in the town cemetery Engesohde in Hanover.
Kaulbach"s son, Friedrich August von Kaulbach, was also a painter.