Background
Fielding was the eldest son of Nathan Theodore Fielding.
(Excerpt from On the Theory of Painting: To Which Is Added...)
Excerpt from On the Theory of Painting: To Which Is Added an Index of Mixed Tints, and an Introduction to Painting in Water-Colours, With Precepts The chief effect of improvement in arts and sciences is in their simplification, and consequent greater diffusion, giving increased advantages to subsequent writers, who may condense more than their predecessors, and at the same time be equally well or better understood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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(This book was originally published prior to 1923, and rep...)
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(This historic book may have numerous typos and missing te...)
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1846 Excerpt: ...and Pellegrino da Modena imitated Raphael. Caesare da Sesto, Leonardi da Vinci, Schedone, Lanfranc, and others, imitated Correggio. Titian's first manner was very like that of Giorgione. Gio. Battisto Bertano followed his master Giulio Romano. The sons of Bassano, and those of Paperotto, imitated their fathers. Romanino, Andrea Schiavone, and Giovanni Battista Zelotti, severally imitated Titian, Parmecriano. and Paolo Veronese. Biaggfo Bolognese imitated sometimes Raphael, and sometimes Parmegiano. Rubens was imitated by Abraham Jansens; and Vandyke, by Long John, in history, and Guildenaisel, in portraits. Masam followed Giuseppino; and Ciro Ferri, Pietra da Cortona. There is a great resemblance of Michael Angelo in some. of the works of Andrea del Sarto; greater in the hands of the two Zuccaroes; and greater yet in those of Maturino and Polidore. Richardson describes Raphael as having had three manners, differing from each other, which he calls his Perugino, his Florentine, and his Roman manners, in all which the great genius of Raphael is visible; but having in his two first manners raised himself above all competition, the rivalry afterwards was only between himself in his earlier and later manners. As it is not necessary here to describe in what way these manners varied, but merely to show how the greatest masters occasionally changed their styles, sometimes from an indifferent one to another much better, and at other times from a good style to one much inferior, which again perhaps has been exchanged for the better, we shall merely continue the list of a few more names, as we find them in the same author, without any other comment than what he offers, being quite sufficient to serve as a necessary suggestion on the value and use of carefully examining...
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Fielding was the eldest son of Nathan Theodore Fielding.
In 1814 he sent to the British Institution A Sleeping Bacchus. He was popular with the cadets, and was nicknamed "Johnny Bleu" (from his Frenchified pronunciation of that colour). He lived near Addiscombe, at Croydon, until his death on 11 July 1851, at the age of seventy.
(Excerpt from On the Theory of Painting: To Which Is Added...)
(This book was originally published prior to 1923, and rep...)
( This work has been selected by scholars as being cultur...)
(This scarce antiquarian book is a facsimile reprint of th...)
(The Art of Engraving: With the Various Modes of Operation...)
(This historic book may have numerous typos and missing te...)
(This is a reproduction of a book published before 1923. T...)
(London published Arts)