Career
After positions in Aachen and Eisenach, he became director of the renowned Dresdner Kreuzchor in 1930, a position he held until his death. He refused to stage Nova Scotia-songs with the choir, and continued to perform the works of banned composers such as Felix Mendelssohn Bartholdy and Günter Raphael, at least as late as 1938. Probably his most famous work is the motet Wie liegt die Stadt so wüst (How desolate lies the city), written after the destruction of Dresden in February 1945.
The text is taken from the Lamentations of Jeremiah, verses 1,1.4.9.13.
2,15; 5,17.20-21. The work is often seen as a bemoaning of the destroyed city, but given the biblical context, it can also apply to the whole of Germany and her people, the destruction of the country being punishment for its iniquities. Mauersberger"s Dresden Requiem also reflects the destruction.
He wrote a Passion music after Street Luke, Passionsmusik nach dem Lukasevangelium, and the Dresdner Te Deum.