Background
Payen was born in Soignies, and received his earliest musical training in that town, in the church of Saint Vincent.
Payen was born in Soignies, and received his earliest musical training in that town, in the church of Saint Vincent.
In the 1530s he may have attended university, but this portion of his life is poorly documented.
When he was about 13 years old he went to Spain to sing in the choir of Charles V. Children were commonly recruited in the Low Countries for service in the imperial chapel. Payen acquired honors including prebends.
In 1558 he became canon at the church in Tournai. He died in Madrid the next year or shortly after.
Payen"s music is both sacred and secular, and all surviving music is vocal, although some of his chansons were later arranged for lute.
Thirteen motets and five chansons have survived with attribution to him. The motets include some written for state occasions, such as Carole cur defles, for the death of Queen Isabella, in 1545. One, In Gott gelaub ich das er hat, is in German.
All are for four or five voices.
His chansons are all for four voices, and all are in French. His name appears in association with the controversial term musica reservata, a style of composition and performance beginning around the mid-16th century, which most likely involved intensely expressive setting of text, chromatic part-writing, and small audiences of connoisseurs.
The Bavarian ambassador to the court of Charles V wrote a letter to his employer, Albrecht V, Duke of Bavaria, expressing what would happen when Payen would become maestro di capilla of the Flemish Chapel (capilla flamenca) for the Habsburg king: "musica reservata will become even more fashionable now than before,, since Canis was not able to reconcile himself to lieutenant" Thus Payen was a composer in a progressive style to Canis"s more conservative bent. Foreign further informations Laura Pollie Mc Dowell, "Nicolas Payen - Motets and chansons", A-R Edition, Middleton, 2006 Motets Virgo prudentissima Coenantibus illis Carole cur defles Isabellam Nunc dimittis Resurrectio Christi/Surrexit Qui dabit capiti Convertimini ad me Domine, deus salutis Confitemur delicta Nisi quia Dominus erat in nobis Benedictus Dominus Deus Israel Eripe me de inimicis meis Domine Choir In Gott gelaub ich das er hat.