Education
In 1887, he completed a number of paintings including the Veneziansk saluhall (Venetian hall) (National Museum of Sweden), and Lördagsmässa i Markuskyrkan (Saturday Mass in Street Mark"s Church).
In 1887, he completed a number of paintings including the Veneziansk saluhall (Venetian hall) (National Museum of Sweden), and Lördagsmässa i Markuskyrkan (Saturday Mass in Street Mark"s Church).
In 1883, Björck was awarded a travel scholarship. He spent the winter of 1883-1884 in Paris. In the spring of 1885, he moved to Venice and, in the autumn, to Rome where he painted the large portrait of Susanna (Museum of Gothenburg) and Romerska smeder (Roman blacksmiths) (Washington National of Art, Washington).
After summer stays at Skagen in Denmark in 1882, 1883 and 1884, he finally settled in Stockholm in 1888 where he concentrated on portraits.
These include several of King Oscar (among them one at Skokloster Castle, a full-length at Drottningholm Palace, one with crown and mantle in Stockholm"s Royal Palace, and one which was acquired by the German emperor. He also painted Prins Eugen vid staffliet (Prinz Eugen at the easel) (National Museum, 1895).
Crown Prince Gustaf (Royal Palace, 1900), The Artist"s Wife (full-length, 1891, Gothenburg Museum) and Baron Nordenfalk (Royal Academy, 1892). In addition, he completed a few landscapes, a couple of genres and various decorative paintings.
Björck was Commissar for Art at the Stockholm Exhibition in 1897, for the Baltic Exhibition in 1914 and for the Swedish exhibition in London in 1924.
Björck"s earliest portraits were influenced by Georg von Rosen and his pictures from Skagen reflected the influence of Danish artists, especially Peder Severin Krøyer. In many of his characteristic works, he depicted the Swedish middle class of his times. Björck was encouraged to go to Skagen in 1882 by P.S. Krøyer whom he had met in Paris and for whom he showed great admiration.
lieutenant was not just the Skagen landscape that attracted him but equally the warmth and hospitality of the artists themselves.
Björck spent several summers there, completing some of his best paintings under the influence of Krøyer and the French Naturalism movement. Oscar Björck (with a hat) can be seen drinking champagne in Krøyer"s famous painting Hip, Hip, Hurrah! (1888) which shows several of the Skagen Painters celebrating in the Anchers" garden.
Royal Swedish Academy of Fine Arts]
From 1889, he was a member of the Academy and its teaching staff and in 1898, he became a professor