Career
He was an official at the Estates of Lower Austria. In Vienna in 1819 the violinist Joseph Böhm assembled a string quartet, and Holz joined as second violin. In 1823 the violinist Ignaz Schuppanzigh returned to the city after several years away.
18.
Böhm"s quartet disbanded, and Holz joined Schuppanzigh"s reformed quartet. In 1824 Beethoven, who had not written a string quartet since his Operation 95 in 1810, began work on a commission from Prince Nicholas Galitzin to write three string quartets.
The first of these, the String Quartet Operation
127, was given its first performance by Schuppanzigh"s quartet the following year. The quartet later performed the other two works commissioned, the String Quartet Operation
130 and String Quartet Operation 132.
Holz, involved in these quartets, became acquainted with Beethoven.
He was one of Beethoven"s copyists.
Beethoven"s relations with his secretary Anton Schindler deteriorated in 1825, and Holz became Letters to Holz and entries in Beethoven"s conversation books (used by people when conversing with the composer in his later years) show that Holz was a devoted admirer, and of great help to the composer. Some years later, Holz talked to the music scholar Ludwig Nohl about the composer during the time of writing the late quartets: "While composing the three quartets requested by Prince Galitzin, such a wealth of new quartet ideas flowed from Beethoven"s inexhaustible imagination that he virtually had to write the Quartets in C-Sharp Minor and F Major involuntarily. "My dear fellow, I"ve just had another idea," he would say jocularly and with glistening eyes when we were out walking, and would write down a few notes in his sketchbook."
He actually composed it in tears of melancholy (in the summer of 1825) and confessed to me that his own music had never had such an effect on him before, and that even thinking back to that piece cost him fresh tears."
In 1829 he became a director of the Concerts Spirituels, a series of concerts in Vienna, which had been established in 1819.
(They were based on the Concert Spirituel series of concerts in Paris during religious holidays) As director, Holz included works of Beethoven in the concerts.