Lucy Anderson was the most eminent of the English pianists of the early Victorian era.
Background
She was born Lucy Philpot in Bath, Somerset in 1797, the daughter of John Philpot, a music seller, who is also described as "a professor of music" or "an obscure double bass player". However, genealogical research suggests that this was in fact Frances Elizabeth Mary Kirkham, step-daughter of Lucy"s sister, Jane Harriet Philpot who became the wife of flautist George Loder, the brother of violinist John David Loder.
Career
She is mentioned in the same breath as English pianists of the calibre of William Sterndale Bennett. Lucy Anderson was the first woman pianist to play at the Philharmonic Society concerts. She appeared 19 times between 1822 and 1862, and was the first pianist to play Beethoven"s "Emperor" Concerto with the society.
She championed Beethoven"s concertos and played them more often than any other English pianist up to 1850.
In 1843, she was piano soloist in Beethoven"s Choral Fantasy, conducted by Ignaz Moscheles. In 1830, Johann Nepomuk Hummel composed a "Grand Military Septet" in C major, Operation
114, for violin, cello, double bass, flute, clarinet, trumpet and piano. One source says this was dedicated to Lucy Anderson, although another says it was dedicated to Madame Adolphe de Lanneau.
In 1837 the publisher Alfred Novello gave Lucy Anderson exclusive rights for six months to play Felix Mendelssohn"s Piano Concerto Number.
2 in England. She is described as "formidable" and "a manipulator of wide patronage". She taught the piano to Victoria"s children, as well as to other high-born ladies.
Lucy Anderson retired in 1862, and died in London on 24 December 1878.
Her portrait by Richard James Lane is in the National Portrait Gallery.
Membership
In 1869 she became an honorary member of the Royal Philharmonic Society, a rarely awarded honour.