Background
He was born in Florence where his father, Cosimo del Bianco, sold cloth to the nobility for use in festivals, tournaments, and theatrical performances.
architect painter scenographer
He was born in Florence where his father, Cosimo del Bianco, sold cloth to the nobility for use in festivals, tournaments, and theatrical performances.
He studied painting under Giovanni Bilivert from 1612 to 1620. He also apprenticed under Giulio Parigi.
Baccio"s work and letters also show the influence exerted on the painter by Vincenzio Bocaccio of Rome, who came to Florence, delegated as one of the best students of the architect and painter Lodovico Cigoli. In 1620 he visited Germany. On his return he decorated several houses, and painted for churches and theatres.
In 1622 he went to Vienna to assist Giovanni de Galliano Pieroni (1586–1654), and later the same year both went on to Prague, where he performed extensive work in fresco, some with help of assistants.
He did not stay long, as there is evidence he lived in Milan shortly thereafter and was back in Florence in 1625. In 1651 he was sent to Spain by Grand Duke Ferdinando II de" Medici to fulfill King Philip IV"s request for designer for court performances.
His work at the Spanish court included scenes and theatrical machinery for Louisiana fiera, el rayo y la piedra in 1652 and Andrómeda y Perseo in 1653 (both plays by Pedro Calderón de la Barca). He died at Madrid in 1657.
In Spain he was known as Bartolomeo del Blanco, since Baccio is an Italian diminutive for Bartolommeo or Bartolomeo, while Bianco and Blanco are Italian-Spanish equivalents of "white".
Accordingly, he shows up as such in certain sources.