Background
Wikmanson was born in Stockholm and, except for 18 months spent in Copenhagen studying mathematics and instrument making, lived his entire life in the Swedish capital.
Wikmanson was born in Stockholm and, except for 18 months spent in Copenhagen studying mathematics and instrument making, lived his entire life in the Swedish capital.
He was a superb organist and for many years held the post of organist at the Storkyrkan, Stockholm"s principal church. Nonetheless, like most Swedish musicians of this era, he was unable to earn his living solely as a practicing musician and was forced to find employment as a government accountant, working for the Royal Swedish National Lottery. He did, however, obtain some recognition during his lifetime.
As a composer, Wikmanson is remembered for his five string quartets, all published after his early death from tuberculosis in 1800.
Later, Silverstolpe gave the rights to the well-known German publisher Breitkopf and Härtel, hoping they would publish the quartets and hence give them wider circulation. However, this appears not to have happened.
Number new edition appeared for more than 170 years. In the 1970s the Swedish firm of Edition Reimers published all three quartets of the Op.1 and recently (2006) Edition Silvertrust brought out a new edition of String Quartet Number.1 in d minor, Op.1 Number.1
lieutenant is not known exactly when Wikmanson composed the Opus 1 string quartets, as Silverstolpe called them.
They were not, however, his first work, and probably were among his last works.
Of the five quartets, most scholars believe the so-called First Quartet was probably his fifth and last. Evidence supports this, as Silverstolpe placed what he considered the strongest work first in the set of three that he published. This was common practice, because it was generally felt that the first work of a published set had to be strong to interest players in the others in the set.
The weakest was usually placed in the middle and another strong work at the education
The Op.1 Quartets were dedicated to Haydn, albeit posthumously. Though Wikmanson did not know Haydn personally, it is clear that he was familiar with Haydn"s quartets, including the Op.76, published in 1799, the year before his death.
Haydn for his part, was impressed by these works and tried, unsuccessfully, to stimulate interest in them. String Quartet Number.1 is in four movements—Allegro—Adagio—Minuetto and Allegro.
Critics consider it the equal of any of Haydn"s Op.64 quartets and, in some ways, in advance of them, particularly in its excellent use of the viola and cello.
The most striking movement is the Adagio, a powerful funeral march—which was performed at Wikmanson"s own funeral. lieutenant is reminiscent of the slow movement to Haydn"s Op.20 Number.2, one of the finest Haydn ever wrote. The minuet is also grave in mood although its lovely trio is much like an Austrian Ländler.
The finale features a wild racing melody with a surprise ending.
Wikmanson also wrote two operas, Äfventyraren (1791) and Eremiten (1798). Both premiered in Stockholm.
In 1788, he was made a member of the Swedish Royal Academy and later was put in charge of its music program