Background
According to the RKD he was born in Venlo and moved to Dordrecht before 19 January 1585, when he married and became master glazier in the Dordrecht Guild of Saint Luke.
According to the RKD he was born in Venlo and moved to Dordrecht before 19 January 1585, when he married and became master glazier in the Dordrecht Guild of Saint Luke.
C1565–1644) was a Dutch Golden Age painter and stained glass cartoon draughtsman. Judging by the ages of contemporary master glaziers, he has been estimated to have been born around 1565. He was the father of the painters Jacob Gerritsz.
He became official glass painter for the city of Dordrecht and obtained various commissions recorded in the city archives, though none survive today.
His glass design for window near 3, a commission from the Dordrecht council for their gift to the city of Gouda in the Saint Janskerk in Gouda, has been preserved and according to their archives he was paid 36 guilders for this window, which was 6 guilders more than the average rate.
According to their archives, Dordrecht gave a similar stained glass window for which this same cartoon design was lent out for the church in Edam in 1606, which did not execute himself. That window also survives today.
In addition to these windows, he also received payments in 1605 for the church in Woudrichem (for ƒ 180) and in 1618 for the "new church of Niervaart" in Klundert (for ƒ 100).
His design for Woudrichem has not survived, since the Saint Martinus kerk there lost part of its tower in 1717 and the same storm would have taken out the windows. His design for Klundert has also not survived, since after the previous church had been dismantled in 1616, the next church that Klundert saw built (which presumably contained this window), burned down in 1737. Besides window designs, he was also an oil painter, as evidenced by payments to him totalling ƒ 824 for various (unspecified) painting commissions. died at Dordrecht.
The choice of subject for "s window in Gouda, the Dordrecht Maiden, was a typical theme for a Dutch city council.
From the renaissance period onwards, Dutch cities symbolised themselves with effigies of a stedenmaagd, or town maiden. The Dordrecht council must have been satisfied with "s design, because on a relief on the Groothoofdspoort (1618) in Dordrecht, the same theme was used by the sculptor Gillis Huppe.
Dordrecht had been the scene of the first independent meeting of the rebelling States of the Netherlands against Spanish rule during 19–23 July 1572. In the stained glass window, the city names are placed under their shields.
These names are (clockwise from Geertruidenberg, the city shield on the "gate" of the garden): Geertruidenberg, followed by Schoonhoven, Hoorn, Weesp, Leerdam, Naarden, Muiden, Medemblik, Grootebroek, Monnickendam, Enkhuizen, Asperen, Heusden, Schiedam, and Vlaardingen.
The choice of placing Geertruidenberg on the gate of the garden differs from the Groothoofdspoort, where the shield is placed under the garden opposite the shield of Vlaardingen. Geertruidenberg had joined the union three years before the glass was ordered in 1593 when the town was liberated from Spanish rule by Prince Maurits.