Background
He was the son of Henry Robertson of Elgin, Morayshire, Scotland.
composer conductor writer jazz musician
He was the son of Henry Robertson of Elgin, Morayshire, Scotland.
Born Henry Macleod Robertson, he was often credited under the name Harry Robinson. He worked as a musical director on British television shows in the 1950s and 1960s, and also arranged for theatre shows and films, notably those of the Hammer production company. He learned piano, but then determined to become an archaeologist, studying the subject at university before giving up his academic studies because of his poor health, and becoming a music teacher in London.
He started working occasionally as an arranger for Decca Records, before becoming the musical director for Tommy Steele.
He explained that in the late 1950s he began using the name Robinson, as well as Robertson, in his professional activities:
" lieutenant was whilst working at Decca that I had to change my name. This was because the cheque that they paid me with was made out to HARRY Robinson and not Robertson.
lieutenant would have been a nightmare to try and change it and the bank would have been difficult, so out of laziness I suppose I opened an account in the name of Robinson. And that’s how Harry Robinson came about.."
Robertson was the musical director of the British television popular music programmes, Six-Five Special (1957 British Broadcasting Corporation) and Oh Boy! (1959 Independent Television).
He was responsible for writing and producing the popular song "Hoots Mon" (not so much a song, more an instrumental take on "A Hundred Pipers" with spoken interjections in a mock Scottish accent) by Lord Rockingham"s XI, which stayed at Number 1 on the United Kingdom Singles Chart for three weeks in 1958.
He arranged and conducted the stage shows, Fings Ain"t Wot They Used T"Be (1960) and Maggie May (1964) and also co-wrote the West End hit musical Elvis. Robinson was the conductor for the United Kingdom entry in the 1961 Eurovision Song Contest. He also wrote highly acclaimed string arrangements for English folk singers, such as Nick Drake (notably, "River Manitoba", from Drake"s debut album, Five Leaves Left) and Sandy Denny.
In 1968, he wrote the theme tune for a television series, Journey to the Unknown, produced by Hammer Film Productions.
He then began scoring films for the company. Robertson was the composer, arranger or screenwriter of these films and others:
The File of the Golden Goose (1969)
The Oblong Box (1969)
Arthur? Arthur! (1969)
The Vampire Lovers (1970)
Countess Dracula (1971)
Lust for a Vampire (1971)
Fright (1971)
Demons of the Mind (1972)
Twins of Evil (1972)
The Best Pair of Legs in the Business (1973)
The House in Nightmare Park (1973)
Legend of the Werewolf (1975)
The Ghoul (1975)
Not Now, Comrade (1976)
There Goes the Bride (1980)
Robertson also produced and composed the music of Hawk the Slayer (1980), Prisoners of the Lost Universe (1982) and Jane and the Lost City (1988), co-writing the script of the first two.
He wrote a number of film scripts, television series and books, including The Electric Eskimo, The Boy Who Never Was, Sammy"s Super T-Shirt. He created and wrote the music for the television series Virtual Murder.