Education
He received his Degree in Psychology in 1990 from the Rheinisch-Westfälische Technische Hochschule Aachen University, and his Doctor of Philosophy in Psychology in 1995 from University of Fribourg.
He received his Degree in Psychology in 1990 from the Rheinisch-Westfälische Technische Hochschule Aachen University, and his Doctor of Philosophy in Psychology in 1995 from University of Fribourg.
He is currently Head of Department of Basic Psychological Research and Deputy-Head of Cognitive Sciences Research Platform. His research within the field of experimental aesthetics has aimed to clarify the psychological processes involved in the appreciation of art and aesthetics. In 2014 he became president of the International Association of Empirical Aesthetics.
From 1996 to 2007 Leder held diverse positions and was visiting researcher at several institutions, including the University of Stirling, the University of Fribourg, the Freie Universität Berlin, the Advanced Telecommunication Research Institute International, Kyoto, the University of Vienna, the University of Michigan (Ann Arbor), University of Southern California, Los Angeles and at University of California, San Diego, San Diego, California.
His early research was focused on the perceptual processes that underlie the perception and recognition of human faces, especially the processing of configural and relational information. Within this general domain he developed a research line into the factors that contribute to the evaluation of facial attractiveness.
Another of his main topics was the impact of design on valuation and usability, especially applied to car interiors and eyeglasses. Since 2004 Leder is a Full Professor at the University of Vienna, and he is the Head of the Department of Basic Psychological Research and Research Methods.
Since 2011 he is Deputy Head of Cognitive Sciences Research Platform at University of Vienna.
In 2004 he also established the Research Focus on Psychological Aesthetics, through which, in addition to continuing his prior research lines, he has developed a broad research program on the psychology of aesthetics and the arts This program was introduced as a cognitive model of the appreciation of art in a paper published in the British Journal of Psychology. This model has served to frame many studies on the cognitive foundations of art, neuroaesthetics, product design, and web design, among other fields.
A citation analysis reveals that it is the most cited of all papers published in the British Journal of Psychology in 2004 and the second most cited since its publication, and, additionally, that the number of citations has increased every year.