Background
Born in Sagada in Mountain Province in northern Luzon, his father was a Spanish soldier and his family had emigrated from Spain in the late nineteenth century.
Born in Sagada in Mountain Province in northern Luzon, his father was a Spanish soldier and his family had emigrated from Spain in the late nineteenth century.
Eduardo finished his studies on the islands.
He is regarded as the Father of Philippine photography. But in 1921, he returned to the Philippines. His father eventually became a farmer and an Episcopalian priest.
In his early years, he became interested in photography.
He was a self-taught photographer. When he returned to his hometown, he was devoted to take pictures of his surroundings among which were the native Igorots.
His photos are mostly pictures of people rather than landscapes. At the same time, he began working with his father on the farm and in Episcopalian evangelism.
When World World War II ended, he opened a photographic studio in Bontoc.
His portraits are a visual documentary of the life stories of indigenous peoples in the Cordillera Central. His subjects included ceremonies, rituals, and everyday life. There are estimates that place have some seven million photographs on this subject in the fifties made in Bontoc, Kalinga, and Ifugao.
His photographs have been exhibited since the late eighties.
Their first two exhibitions were held in Manila in 1982 and 1983, then in Copenhagen in 1984, and Tokyo in 1986. But his most prominent international recognition came from the International Photography Encounters in Arles in 1989.
Since then, there have been many exhibitions of his work. Their study in the Philippines has become a museum and art center.
His book is titled meaning People of the Philippine Cordillera.
Photographs 1934-1956 and was published in 1988.
His photographs are intended to show the life of the natives from the point of view of someone who lives with them and with which it identifies, so it has a type emic ethnographic value.