Career
Like his contemporaries Luigi Pirandello and Flann O"Brien, Alfau is considered a forerunner of later postmodern writers such as Vladimir Nabokov, Thomas Pynchon, Donald Barthelme, and Gilbert Sorrentino. Born in Barcelona, Alfau emigrated with his family at the age of fourteen to the United States, where he lived the remainder of his life. Alfau earned a living as a translator.
His sparse fictional and poetic output remained obscure throughout most of his life.
Alfau wrote two novels in English: Locos: A Comedy of Gestures and Locos — a metafictive collection of related short stories set in Toledo and Madrid, involving several characters that defy the wishes of the author, write their own stories, and even assume each other"s roles — was published by Farrar & Rinehart in 1936. The novel, for which Alfau was paid $250, received some critical acclaim, but little popular attention.
The novel"s second incarnation was modestly successful, but Alfau refused payment, instructing the publisher to use the earnings from Locos to fund some other unpublished work. When Steven Moore asked if he had written any other books, Alfau produced the manuscript for Chromos, which had been resting in a drawer since 1948.
Alfau also wrote a book of poetry in Spanish, Sentimental Songs (Louisiana poesía cursi), written between 1923 and 1987 and published in a bilingual edition in 1992.
And a book of children"s stories, Old Tales from Spain, published in 1929. Locos, Chromos and Old Tales from Spain were translated into Spanish and published in Spain during the 1990s. His last years were spent in an octogenarian nursing home in New York, thanks to an indigent pension granted by the city council.
Felipe Alfau died in New York in 1999.
Dawn Powell knew him in the late 1930s and described him thus in her diaries: "Felipe Alfau, brilliant, dazzling mind, witty, Jesuitical, a mental performance similar only to Cummings, but a scholar—erudite, fascinating, above all a romantic about his Spain, fiercely patriotic, a figure out of a medieval romance, a lover of Toledo, of old Spain, valuable surely to his country—talked so brilliantly of Totalitarianism that is based on human weakness, human error, human conduct, that it almost convinced medical " A.