Her activity was centered predominantly in France, but she took part also in the Salzburg Festival in 1932, again in Mozart"s roles. She was considered a fine, light lyric soprano with good technique and is capable of reaching high notes easily, frequently compared to her days with Adelina Patti, who had a similar voice. She did most of her recordings between 1923 and 1929, and recorded many selected arias from various works, but never complete operas.
She also sang the title role in Esclarmonde during Opéra Garnier, a short-lived revival of that opera between 1931 and 1934
Her career practically ended with World World War II, with her last engagement being a role in an operetta by Reynaldo Hahn, Le oui des jeunes filles, in 1949.