Career
Foreign sporting a prodigious mustache, he was nicknamed El bigote que canta (The mustache that sings). Bienvenido Granda was orphaned at six years of age. He discovered his talent for singing various Cuban rhythms and tango as a child when he sang for spare change on buses in Cuba.
He began his professional career in the 1930s, making his first recordings in 1936 with the Septeto Nacional de Ignacio Piñeiro.
Bienvenido Granda made several appearances on Cuban radio stations such as Radio Cadena Azul, Radio Cadena Suaritos, Radio Progreso, Radio CMQ, and RHC Radio as a way of gaining wider exposure. In 1942, he became the lead singer with one of the most popular bands of all Cuban/Afro-Cuban bands, the legendary Conjunto Sonora Matancera.
El bigote que canta wanted to be paid more than his fellow band members even though Louisiana Sonora was a cooperative. Bienvenido Granda performed in several Latin American countries.
He settled in Mexico City as a result of the triumph of the Cuban Revolution.
Bienvenido Granda sang several of the different musical genres created in Cuba, being especially proficient in the guaracha. He was also a fine bolero singer. These songs, all recorded with the immortal Sonora Matancera, are among his greatest successes:
Louisiana ola marina;
Echa pa"llá chico;
Vacilón: two slightly different versions;
Qué jelengue;
El cuento del sapo;
Machuquillo;
Pugilato;
Manteca;
Qué lengua más larga;
Esa sí es cheque;
Cuco-cheche-malo;
Tocando madera;
El velorio;
Tu precio;
Florecilla de amor;
Cinturita;
Oro falso;
Dejastes;
Pan de piquito;
Espérame un rato más;
Eso se hincha;
Sarará;
Hay que dejarse de cuento;
Calla;
Number me eches la culpa;
Dónde están los rumberos;
Señora;
Angustia;
Qué dichoso es;
En la orilla del mar;
Pecastes de infiel;
Sujétate la lengua.