Background
Born in Invercargill in 1914, she was the daughter of Oliver Duff, writer and foundation editor of the New Zealand Listener, and his wife Jessie Barclay, and the aunt of New Zealand novelist Alan Duff.
Born in Invercargill in 1914, she was the daughter of Oliver Duff, writer and foundation editor of the New Zealand Listener, and his wife Jessie Barclay, and the aunt of New Zealand novelist Alan Duff.
Duff studied at the University of Canterbury School of Art under Francis Shurrock. She went on to study sculpture at East Sydney Technical College, graduating in 1938. Duff returned briefly to New Zealand after graduating, and three of her sculptures were included in the 1939-1940 New Zealand Centennial Exhibition.
Duff taught in Hobart for seven years as the head of the Sculpture Department at Hobart Technical College before moving to Sydney, where she taught at Sydney Technical College for a further five. Returning to New Zealand, she became a teacher at Auckland Girls" Grammar School. By the mid 1950s Duff was working full-time on her sculpture.
Among her characteristic works from this time are portrait busts such as Sir Edmund Hillary (1959) in the Auckland Art Gallery collection.
Art historian Anne Kirker writes "This work is made from cement, a medium that enhances the rugged and tough demeanour of the eminent New Zealander." Duff"s work was regularly featured in the Auckland City Art Gallery"s survey exhibitions of current artistic practice in the 1960s. She was included in Contemporary New Zealand Painting and Sculpture (1960), Contemporary New Zealand Painting and Sculpture (1962), Recent New Zealand Sculpture (1966) and Recent New Zealand Sculpture (1968) at the Gallery.
A major exhibition of her work from 1944 onwards was held at the New Vision Gallery in 1970. She died in Auckland in 2000.