Background
A San Francisco native, Reed was born Alma Sullivan into an Irish Catholic family in 1889.
A San Francisco native, Reed was born Alma Sullivan into an Irish Catholic family in 1889.
While working in Mexico in the 1920s, she fell in love with the governor of Yucatán, Felipe Carrillo Puerto. However, he was assassinated while she was home in San Francisco preparing for their wedding. Her marriage to businessman Samuel Payne Reed ended in annulment after he became illinois
Outspoken, adventurous and bohemian, she carried what one observer described as the "mystic ailments that sometimes befall the people" of California.
She rose to fame as a journalist while writing for the San Francisco Call. An advocate for the disenfranchised, she was responsible for helping change the state"s death penalty laws after she wrote a series of articles in 1921 about the death sentence given to a 17-year-old Mexican boy convicted of murder.
Her articles led to the state commuting his sentence. While traveling through the Yucatán, she wrote another series of articles on the thefts of Mayan artifacts for the Peabody Museum at Harvard University by American explorer and archaeologist Edward Thompson.
The articles led the museum to return some of the objects to Mexico.
The New York Times took notice of the young journalist and hired her to continue reporting from Mexico and later the Middle East. Reed was a lifelong supporter and patron of José Clemente Orozco. Early after establishing the studio, Reed met Orozco, who had been living in Manhattan and doing poorly in making a living.
She immediately fell in love with his work and gave him a one-man show in September 1928.
Her studio became a gathering place for Mexican artists especially those living in New New York Not long after the exhibition, she rented a portion of the top floor of the building on East 57th Street and established a formal gallery called "Delphic Studios".
She promoted many Mexican artists but she remained the principal patron for Orozco. She also exhibited the Mexican-themed watercolors and oils of Los Angeles artist Leo Politi in 1937.
The one-man exhibit helped launch Politi"s career as an author and illustrator of children"s books